This got me.
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Self Distraction
This got me.
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I didn’t know this and I don’t know what the colour for 2014 was – I’m sure there’s a joke here but I can’t find it – but the colour for 2015 is…
Marsala.
Introducing Marsala – Pantone website (16 December 2014)
Of course, you’ll know it better as Pantone 18-1438.
Here it is adorning the Pantone website:
And because I know you’re looking at me like that, the answer is that 2014’s colour was Radiant Orchid.
Nod of the hat to The Loop for knowing these things.
I’ve got to tell you this. Quick story from Paris? Actually from the Eurostar train going there. We were sitting opposite a miserable young woman and her resigned looking boyfriend. She was permanently miserable. Hard-wired. But she was also young and it is a new world. She called a hospital to cancel an appointment. I could tell you what it was for. I could tell you which hospital, what department, which doctor, what specialism. I could tell you her name, full address, phone number and National Insurance number.
But I won’t because clearly I’m so ancient I’ve twigged that this is enough information to rob her blind. If not from the easiest-ever identity theft – I might have to strain to sound young and female but otherwise, doddle – then from the fact that I knew how long she was going to be away from home. I do own a lock pick set. (Seriously. Research. Also a bump key. Never got any of it to work, officer.)
Anyway. After she’d given us all this information by way of phone and a loud voice, she started wondering how far it was across the Channel. When learning from her iPhone that it was 31 miles, she sneered. Is that all? It’s just 31 miles? What’s all the fuss about?
Hundreds of years of trying to dig that tunnel. The political, cultural, economic and artistic effort made by generations and she sneers.
I realise I’ve clearly got old enough to be disappointed that there are people who can’t see effort but what struck me more is that she won’t. She will never see the industry that went into that Channel Tunnel: not appreciate it, not even see it. It’s her loss.
There’s a new move to get rid of the password. I think I’d rather miss them but it is a bit 11th Century, isn’t it? Halt! Who goes there? Are you fr1n3d or f03?
We have already reduced them a lot with apps like 1Password – you just remember one password, it remembers all the rest securely and also creates very strong new ones when you want – and then there are tools like Touch ID on iPhones. I don’t have an iPhone with this but I’ve used them and it is nothing short of spookily handy to be able to pick a phone up and have it already know it’s you.
Still, back to the news. Passwords are under threat and it’s about time too:
Passwords are a pain. They’re incredibly important for the security of our data, and yet they’re hard to remember and keep track of. Plus, it seems like we constantly have to change them as the result of some new hack or security breach. But the password’s days may be numbered: the FIDO Alliance—a non-profit composed of heavyweights like Microsoft, Google, VISA, MasterCard, PayPal, and more—has published its final specification for a system to kill the password, hopefully for good.
The specification is a bit technical, but what it boils down to is fewer passwords, hopefully. FIDO offers two options: a password-less login method, and a two-factor login method. In the former case, when you register with a new service, app, or site that uses FIDO’s technology, you choose how you want to authenticate that account (just as you would currently specify a username and password). But instead of a password, that method can be a PIN or a biometric factor—such as a fingerprint, a spoken passphrase, or facial recognition.The Death Of The Password Starts Today (Maybe) – Dan Moran, Popular Science (10 December 2014)
Read the full piece. And while we wait for all this to happen, get yourself secure with 1Password. I’ve used 1Password 17 times this morning.
Excuse me while I do a spot of SEO: interview, interviewee, interviewing, interviewer, journalist, ipad, audio, sound, recording, transcribe, transcription.
There. Hopefully this means the next poor sod searching for this type of app can avoid spending the ENTIRE EVENING on the hunt. Here’s the thing. I have to be away from my office tomorrow but I have a very pressing job where I need to transcribe an interview I recorded some weeks ago. I hate transcribing with the same passion that EVERY SINGLE WRITER EVER does and I just wanted some help.
Specifically, I wanted an iPad version of Transcriptions, a freeware app for Mac that simply lets you play back audio while you type out what you hear. Missed a bit? Tap a keystroke and the audio scrubs back 5, 10, 15, 20 seconds. Nothing in all this land will make transcription fun but this helps. My great regret is that I didn’t discover it until I’d transcribed fully two thirds of the interviews I’d done for a Blake’s 7 book.
Now I just need that on iPad, please. You quickly start throwing your hopes out of the window when you can’t find something so I was reduced to thinking I’d have a notetaking app that just played back audio. A bit. Enough to save me having to skip back and forth between two apps.
It turns out that there are three types of application that get returned when you search for terms like “best ipad audio transcription” or “best iOS apps for journalists”. The first and most common search result is the transcription service. For various prices and with various different trial periods, you can record audio in the app and send it off to a human being somewhere to do your transcription job for you, for a fee.
Fine. Not what I want, but fine.
The second type of app does what I want but only to audio that you record with the app. Nice, fine, but useless to me with my existing recording.
How long has it taken you to read this far? Did you skim? Good for you. The answer is that the best option available is Notability for iPad. It costs £1.99 for iPad and iPhone together. It’s only £1.99 but it’s also a lesson to get good apps when they fall free, even if you don’t want them. I got Notability last May when Apple made it App of the Week. I downloaded it, tried it, saw why people liked it so but felt it wasn’t for me and I deleted it.
Now all these months on, I can just re-download it. And I did so after a couple of hours of trying everything else.
Notability is not perfect. But I can import the audio from Dropbox, I can play it back and there is a 10-second rewind button. I would like a way to skip back 10 seconds from the keyboard as reaching up to tap that button does break the flow of my typing.
But tomorrow I will be sitting in coffee houses alternating between transcribing interviews for a book and writing a script. I could do without the hell that is transcription but otherwise that sounds like a pretty good day to me.
Google Maps is surely the most accurate mapping service on sale now or ever made – even if I find its iPhone app palpably annoying to figure out – but as well as all its technology, it has people. Some drive those dinky cars you’ve seen. Others change the maps under their fingers.
It’s an example of just how much you can do when you have a lot, I mean a lot, of data gathered from everyone and everywhere around you.
The maps we use to navigate have come a long way in a short time. Since the ’90s we’ve gone from glove boxes stuffed with paper maps to floorboards littered with Mapquest printouts to mindlessly obeying Siri or her nameless Google counterpart.
The maps behind those voices are packed with far more data than most people realize. On a recent visit to Mountain View, I got a peek at how the Google Maps team assembles their maps and refines them with a combination of algorithms and meticulous manual labor—an effort they call Ground Truth. The project launched in 2008, but it was mostly kept under wraps until just a couple years ago. It continues to grow, now covering 51 countries, and algorithms are playing a bigger role in extracting information from satellite, aerial, and Street View imagery.
The Huge, Unseen Operation Behind the Accuracy of Google Maps – Greg Miller, Wired (8 December 2014)
Read the full piece for more.
…is really two separate apps in that you have to buy them separately. And in that one came out in this latest, great version late last year while the other was only a few weeks ago. But it’s already become so indispensable that I had to check the release date twice before I’d believe it was that recent.
The 2014 release was for the iPad. The 2013 one was for iPhone. There was also a 2014 one for the Mac. Are you getting it yet?
That’s OmniFocus 2 for iPad there. If I could pick only one app for the year, this would be it. If you can only afford to buy one version of OmniFocus, it’s the iPad one you should get. Both decisions are easy: it’s that good.
But for the overall best-app-ever experience, I do of course recommend you get all three editions. I used to say that this To Do manager was so good, was so important to my business and frankly my life now that I would cheerily, readily pay the cost price of all three over again. I don’t say that so much now – because I did do. The Omni Group brought out new editions of the Mac, iPhone and iPad OmniFocus and I bought the lot on the day they were released.
And I will again whenever they do OmniFocus 3.
Go take a look on the official site where you can also get the Mac version. Then head to the iOS App Store for the separate iPhone and iPad ones. Also to the Mac App
I’ve been thinking about this all evening and especially since Apple announced its pick for the best apps of the year for iPad and iPhone. Apple went for Pixelmator on the iPad, which I like very much and regularly use in the production of this very site, and Elevate or Replay Video Editor (depending on whether you’re in the USA or UK) for the iPhone. And I’d not heard of that.
I think my pick beats all of them. And so does my second-place pick. Okay, I couldn’t get it down to just naming one app, I have to tell you about two, but they are both gorgeous things of beauty that are transformative in my work. The first-place winner, for me, in a mo, but now, an extremely close second place spot goes to… Drafts 4 for iPhone and iPad. Easy. It’s an apparently simple note app where you just fire it up with a tap, write anything you fancy and forget it – or send it off as email. Or a text. Or an OmniFocus task. Or an Evernote note. Or all of the above. And more.
The speed of opening and getting going with your writing is a big deal. It makes Drafts 4 far faster at entering Evernote notes than Evernote itself is. Far. I’ve reached for Drafts 4 in the middle of the night when I’ve had a dreamy idea and I’ve come back to it the next day to send on to email, Evernote – or the trash. Depending.
Drafts 4 also transformed how The Blank Screen site is written. When I’m just pointing you at an interesting article someone else has written, I can go to that, highlight a choice quote and tap a button. Drafts 4 takes in that quote, turns it into an inset block quote, appends the citation including correct link back to the main article and writes me a basic paragraph referring people to that original. One tap instead of back-and-forth to the site several times. I love it for that alone.
But please imagine you’ve just written a bit of an old note. Written it and then tapped one button. This is what you see on iPhone:
There are ten options right there for what to do with your text and I only created two of them. But I could create two, it is possible to create your own. So the top one appends a note to a journal I keep in Evernote and the second one posts the Drafts text straight to this website. Write, tap, publish, gone.
It’s so good I could’ve made this my favourite app of the year and probably should have done because it came out in this version in 2014 whereas my real best-app-ever pick is one whose iPhone version was last released late 2013. Still, it’s best-app-ever and its iPad one was September this year. Come on. That’s up next.
Pixelmater, an image editor, and Monument Valley. That’s actually the app of the year and the game of the year. But notice what they have in common? Both have buttons mark Open. That means I already have both of them on my iPad.
Appropriately, it was Pixelmater I used to crop that screenshot. So I do definitely agree that it’s a good choice – and I adored Monument Valley despite being far less of a gamer than you.
I’m just not sure it’s the best. I’ll have a ponder about that – and a check through my purchased items list – but in the meantime, go take a look at Pixelmater or Monument Valley plus the rest of the top recommended apps for iPad.