Interview

Do get dressed in the morning, don’t get dressed in the morning

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Whatever. I give up. It’s as if we’ve reached saturation point on articles that say writers working from home should pretend they have a real 9-5 office job and instead now we’re embarking on a round of articles saying they shouldn’t. Here’s a shouldn’t:

I polled some of my freelance friends to find out what rules they commonly break. Here’s what came up again and again:

“Work on a schedule, just like you would at a regular job. ”

No thanks, said writer Christine Hennebury: “I don’t set regular hours. I don’t set aside chunks of time. And I don’t turn off my work at a specific time. The whole point of freelancing and working from home is to blend your work and home life together a bit better.” Instead, Hennebury plans her day using author Jennifer Louden’s “Conditions of Enoughness,” deciding what she needs to get done to be satisfied at the end of the day. Then when she’s done, she’s done.

Trying to stick to a “normal” nine-to-five workday can present logistical problems for freelancers, too, as former freelancer Holly Case pointed out. “I remember one big article I was working on required me to interview an important expert. I spent nearly a week trying to reach him and never could. He finally called me at eleven p.m., explaining that he was on his way to a party in a limo and wondered if I could do the interview then. I said yes because I didn’t know if I would get it otherwise

Always Get Dressed in the Morning, and 6 Other Rules Successful Freelancers Break – Meagan Francis, The Freelancer, by Contently (27 February 2015)

Read the full piece.

How do you even pronounce ‘productivity’?

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There’s a new podcast from the productivity site Asian Efficiency which I had a listen to on my morning walk. (This is a new thing. A morning walk at 5am. This is a new stupid thing.) And the podcast is fine, I’ll listen to more before I know whether I want to urge you to try it, but the very first sentence made me stop in my tracks.

Frankly, anything can stop me in my tracks when I’m walking at that time of day.

But it was how they introduced the topic of productivity and pronounced the word as if it were pro-ductivity. And I realised then that I always say it as prod-uctivity.

Maybe that means they’re more professional about it and I’m the type who needs a good shove to get going. I’m okay with that.

Starting over with OmniFocus and Evernote

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I think this is digital decluttering. And like all decluttering, I already know which of it I’m going to put off. My Evernote is a steaming mess of about 4,000 notes with 800 of them in the inbox and if it weren’t for the software’s very good search feature, I’d be regularly sunk. But it does have good search, I am not sunk, it can wait another day.

Whereas I’m starting over with OmniFocus.

This is my rather beloved to do app and I put my ability to cope with lots of projects entirely down to this software. But one big new project came in December and is hopefully continuing for a long time. I have two meetings this month that should lead to one enormous project and one gigantically enormous series of projects. Can’t wait.

Plus one big change at the end of 2014 meant a thing I do that has been albatross-shaped is pretty much entirely gone. I’ve walked away from a thing and am feeling so good about it that I think might even start to enjoy saying no.

But.

One bad project gone, one new one in, two new ones looming and most things churning over, it is time to apply that ability to say no. Time to review everything and chuck out what I don’t want to do, what I am not going to get to.

And the reason to do it is not that I’m some kind of OCD-based guy who needs everything in its place. I refer you to the steaming mess of Evernote above. The reason is that lately there has been so much in OmniFocus – I have added so much – that I’ve stopped checking it. You shouldn’t have your head in OmniFocus all day but you really should look at it from time to time. A very sensible thing to do is look at it first thing in the morning, for instance, and that’s where I go wrong.

When you have a lot on and some of it is pressing at you terribly, you go straight to the keys and you start working on that. If checking OmniFocus were a quick thing, as it is built to be, as it is intended to be, then two minutes checking that while I boil the kettle will help my day astonishingly.

I’ve been looking through my OmniFocus now and can tell you that I have 2,513 things to do and they’re arranged in 88 projects. It could be worse: while I was looking, I ticked off something like 30 tasks that I’ve actually done and just not got around to noting.

Take a look at these 88 projects, though:

That is a mind map I did over Christmas: it’s a visual representation of everything I was working on at the end of 2014 and my only hope is that the image is too small for you to see the details. What I want you to see is how steamingly messy it all is. And I want you to see it so that you are hopefully nodding when you see this next shot, which is how I’m doing the projects for 2015:

Is that better? It’s certainly duller with all those colours reduced to just a couple. But I did this in an app called MindNode, which I do recommend a lot, and it chooses the colours. Add a new thing, it gives you a new colour. So that overall purpleness is not a choice, it is a consequence of my collapsing things into fewer categories, fewer projects.

Next job: translate that mindmap into OmniFocus folders and projects. Back in a bit.

Best productivity deals now on

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So you’re stuffed and sleepy and you’re watching Strictly Come Dancing’s Christmas Special. Before Doctor Who begins, go grab some of the very best deals there are for productivity tools and advice.

Email and Paperless Field Guides
All of David Sparks’ Field Guide books are half price. That includes his excellent one on Presentations plus a title I’ve not read 60 Mac Tips and a title I’m not interested in, Markdown. However, by far the best and most useful to you right now are his books on Email and a very wide-ranging one called Paperless.

Read that and you’ll transform your working life. Read his Email one and you’ll make so much more use of your email that you will enjoy it.

David Sparks’ Field Guides are all iBooks that cost now cost around £3 or $5. I actually can’t confirm the UK price because I’ve bought most of these already so the iBook Store doesn’t tell me the price anymore. Get them on the iBooks Store or check them out on Sparks’ official site.

The Blank Screen
My own book is half off too: it costs you £4.11 and after it you’ll be creative and productive. I may have mentioned this book before but this is the first the Kindle version has ever been on sale. Grab a copy now.

Drafts 4
This app for iPhone and iPad looks like a very simple notebook kind of thing. It is. Tap that icon and start typing. If you never do anything else with it, it’s still good because it’s somehow just a pleasure to write in. I can’t define that, can’t quantify it but also can’t deny it. I just like writing in this notetaking app and in fact I am doing so right now.

What happens after you write a note, though, is what makes this special. I’ll send this text straight to The Blank Screen website. But I could choose instead – or as well – pop it onto the end of note in Evernote. Chuck it over to my To Do app OmniFocus. (Which reminds me, OmniFocus for iPad is not on sale but it’ll still be the best money you spend on apps ever.)

Equally I could write a note in Drafts 4 and send it to you as a text message. Or an email. I don’t know that it’s actually got endless options but it must be close. And that combination of so very, very quickly getting to start writing down a thought and then being able to send your text on to anywhere makes this a front-screen app for me.

It’s down to £2.99 from £6.99 on the iOS App Store.

TextExpander 3 + custom keyboard
When I want to write out my email address I just type the letters ‘xem’ and TextExpander changes that to the full address. Similarly, I write reviews for a US website called MacNN now and each one needs certain elements like the body text, an image list, links, tags and so on in a certain order. I open a new, blank document, type the letters ‘xmacnn’ and first it asks me what I’m reviewing and then it fills out the document with every detail you can think of.

The short thing to say next is that this is via TextExpander and that it is on iOS for a cut price of just £1.99 instead of £2.99. So just get it.

Got yet yet? Okay, there’s one more thing to tell you. TextExpander began on Mac OS X and it is still best there. The iOS version wasn’t really much use until iOS 8 when Apple allowed companies to make their own keyboards. Suddenly you could switch to the TextExpander keyboard whatever you were doing or whatever you’re writing on your iPhone or iPad. That meant you could expand these texts anywhere. Fantastic. Except the TextExpander keyboard is somehow less accurate and harder to use than Apple’s.

So what you gained with the text-expanding features, you lost a bit with everything else you typed.

Except many other apps work with TextExpander. Apple’s ones don’t but Drafts 4, for instance, recognises those ‘xem’ or ‘xmacnn’ things and works with them. So buy TextExpander 3 for iOS in order to get these things set up and working. It’s a bonus if you like the new keyboard.

Get TextExpander 3 + custom keyboard.

Hang on, Strictly’s nearly over. These are my favourite deals on productivity books and apps available right now but remember that they won’t stay on sale for long. If you’re only surfacing from Christmas and reading this in February, ignore the prices and just focus on the recommendations. None of these are here just because they’re cheap, it is that they are superb and the sale is a great bonus.

Productivity lessons from Strictly Come Dancing

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You’re thinking oh yes, really, there is productivity to be learnt from the UK’s version of Dancing with the Stars? Yes.

Such as this. Right now as we speak, it’s the gap between the two episodes making up this year’s final. It’s about an hour, just shy of an hour, and it’s short enough and the timing is awkward enough that there isn’t a whole lot you can usefully go do before the show’s back.

But you could write.

I would be writing if I weren’t talking to you. So this is definitely a case of very specifically do what I say rather than what I do.

And this is what put the idea in my head. But once it was there in my noggin, I realised that there are productivity lessons aplenty.

Maybe it’s not a shock. Strictly runs for, what, 16 weeks? Once it starts, it is a train and there must be hundreds of people working flat-out on it. Every person vital – this is the BBC, they ain’t paying for people they don’t need – and that means everything they each do is crucial. Vital, crucial and time-dependent. Tina Fey has a great line that I remember a lot when I’m vacillating over projects I’m writing:

“The show doesn’t go on because it’s ready; it goes on because it’s 11:30.”

Tina Fey, Bossypants

We spend a lot of time as writers going around in circles over whether something is ready and whether something is good. Sometimes that is exactly the right thing to do. Sometimes that is what makes us writers and makes our material sing. But sometimes: let it go. It is done, get it gone.

I believe in debating what needs to be debated and finishing what needs to be finished. And the deadline of a live show every week is like cement-lined evidence to me.

But do you follow Strictly? I don’t watch The X-Factor because it seems the same every week to me. Someone comes on and they can sing or they can’t. Next week, they can sing or they can’t. No difference. With Strictly, people are visibly transformed. They’re transformed by many things but one is confidence: facing up to dancing in front of millions changes them. And always, always, when a celebrity’s personality comes out, they dance better.

Drama writing requires us to dig deep. Dancing requires letting go. But both require us to listen to the music and that’s productivity to me. Hear the rhythm, the beat and get going.

Got it: an iPad app for transcribing interview recordings

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Excuse me while I do a spot of SEO: interview, interviewee, interviewing, interviewer, journalist, ipad, audio, sound, recording, transcribe, transcription.

There. Hopefully this means the next poor sod searching for this type of app can avoid spending the ENTIRE EVENING on the hunt. Here’s the thing. I have to be away from my office tomorrow but I have a very pressing job where I need to transcribe an interview I recorded some weeks ago. I hate transcribing with the same passion that EVERY SINGLE WRITER EVER does and I just wanted some help.

Specifically, I wanted an iPad version of Transcriptions, a freeware app for Mac that simply lets you play back audio while you type out what you hear. Missed a bit? Tap a keystroke and the audio scrubs back 5, 10, 15, 20 seconds. Nothing in all this land will make transcription fun but this helps. My great regret is that I didn’t discover it until I’d transcribed fully two thirds of the interviews I’d done for a Blake’s 7 book.

Now I just need that on iPad, please. You quickly start throwing your hopes out of the window when you can’t find something so I was reduced to thinking I’d have a notetaking app that just played back audio. A bit. Enough to save me having to skip back and forth between two apps.

It turns out that there are three types of application that get returned when you search for terms like “best ipad audio transcription” or “best iOS apps for journalists”. The first and most common search result is the transcription service. For various prices and with various different trial periods, you can record audio in the app and send it off to a human being somewhere to do your transcription job for you, for a fee.

Fine. Not what I want, but fine.

The second type of app does what I want but only to audio that you record with the app. Nice, fine, but useless to me with my existing recording.

How long has it taken you to read this far? Did you skim? Good for you. The answer is that the best option available is Notability for iPad. It costs £1.99 for iPad and iPhone together. It’s only £1.99 but it’s also a lesson to get good apps when they fall free, even if you don’t want them. I got Notability last May when Apple made it App of the Week. I downloaded it, tried it, saw why people liked it so but felt it wasn’t for me and I deleted it.

Now all these months on, I can just re-download it. And I did so after a couple of hours of trying everything else.

Notability is not perfect. But I can import the audio from Dropbox, I can play it back and there is a 10-second rewind button. I would like a way to skip back 10 seconds from the keyboard as reaching up to tap that button does break the flow of my typing.

But tomorrow I will be sitting in coffee houses alternating between transcribing interviews for a book and writing a script. I could do without the hell that is transcription but otherwise that sounds like a pretty good day to me.

Metaphors are like, um, er

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Metaphors can help by tapping what learning theorists call prior knowledge to make a connection between what people already understand through experience and what they have yet to discover. We do this naturally in conversation — for instance, “The news hit her like a freight train.” By comparing the situation to something people already know or can at least imagine, we convey its intensity and urgency. But when explaining our ideas in presentations, we’re sometimes reluctant to use verbal or visual metaphors to relate to audiences. I’ve heard people say that metaphors are “off topic,” or worse, “cheap.” Though using a cheesy one can elicit groans, more often than not, metaphors offer a shortcut to understanding.

Finding the Right Metaphor for Your Presentation

Read the full piece. Its specifically about searching for the right metaphor in a presentation but so long as you don’t lurch into cliché, it’s surely going to be valid until the cows come home.

Beaten to it: the Christmas productivity gift guide

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Well, it’s really the techie or geeky Christmas gift guide. And there’s much in it that I wouldn’t have thought of, let alone picked. But if they only picked the things I would, there’d be no point telling you about them.

And them is Katie Floyd and David Sparks of MacPowerUsers. The latest edition of the podcast is their annual gift guide. They have a thing about not repeating gift recommendations from previous years and I see the point but I don’t see the point: if it’s still the best thing to buy, it’s still the best thing to buy.

Still, here are the best things to buy for Christmas according to MacPowerUsers.

Take naps, just not like this

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Today was the 276th day that I got up to work at 5am and I say this not entirely to boast – actually not to boast much at all as it’s only 276 and I’ve been doing this lark for nearly two years now – but rather to bitch about how I still struggle with going to bed. Two hundred and seventy-six times I’ve got up at 5am. I spelt that 276 out in full because it was the start of a sentence.

(If you kill me and threaten my pets, I still could never begin a sentence with a digit. Partly because I’d be dead, you did that in a stupid order. But I might even be relieved at that instead of the certain knowledge I will soon be writing about 1Password again and it is a right bugger finding different words to put in front of it.)

Anyway. Can’t start a sentence with a digit. But also writing it out in full just underlines how many two hundred and seventy-six times is. It is enough that I should surely to god have worked out how to go to bed at such a time or in such a relaxed way that I don’t want to cry when the alarm goes off.

I’m not there yet, I’m not close. But I’m getting close to being close.

And the latest experiment is the nap.

Lately I’ve been starting at 5am and working through to about 7pm and on days that I take a nap around mid-afternoon, that is a doddle. In fact, I work then to 7pm not because oh-I’m-so-busy but because I’m just into the work and not noticing the time going.

So. I’m not the first to say this and it makes me feel so very old saying it, but here you go, here I am: take a nap.

The good things first. For some reason I really enjoy the sense that I’m getting two days out of every one. I mean, I often feel like this morning was yesterday. Or last night was a week ago. It’s partly my body getting confused but also that when this is working, I am flying through things and it feel as if I am getting so much more done that I must be having more time in which to do it.

So yes, you get refreshed and you do more. Great. The energy you get from a nap, terrific.

But.

I can’t go to bed, even though I work at home. Can’t do it. So I have been napping in my office chair. I tell Siri to switch on Do Not Disturb on my iPhone and then to set a timer for 15 minutes, then I sit there with my eyes closed. And on a good day – I’ve now done this a whole four times, I’m an expert – I go into a remarkably deep sleep.

Except.

Lately it’s been a bit cold and my office tends to be the coldest spot in the house, even though I have a heater in there. So just occasionally and not because I am officially 120 years old, I have a blanket. For three days running now, I have pulled the blanket over my head as I sat there napping.

And.

Today it didn’t work.

I sat there, timer running, Do Not Disturb do not disturbing, with a blanket over my head. And that head of mine thought the words “Our little reading group isn’t perfect, I’ve never said it is.” You’re thinking that’s very random and the part of me that wants to appear in any way mysterious is tempted to just shut up now.

Okay, that was never going to happen. This quote is the opening line of a short story I was commissioned to write. It’s called “The Book Groups” (the plural is everything) and I am going to be reading it at an event later this month. It’s written in first-person prose by a (very) unreliable narrator and that means to me it’s dialogue. It’s a script. I am a scriptwriter even in this short story.

Now, I reckon if you’ve read this far then you’re in, you’re committed, you’ve invested time here and I can tell you something those lesser people who don’t read to the end of articles will never know. It’s this. I am very proud of how often actors have told me that learning my scripts is easy because the dialogue is good. It’s natural and real and it is what the characters would say. I am very proud of that. I recognise that if you don’t happen to be a scriptwriter you might not feel the import I do, but I am and I really do.

And, whisper it, I think I agree now.

Because I can perform The Book Groups. Not read it, I don’t have to read it anymore, I can perform the entire story from memory and in character.

This is relevant because of what happened in the nap today. I sat there with the blanket over my head, I mostly-silently performed The Book Groups, practicing away. I looked like I was furniture that had a drape cloth over it and was moving like a ghost in response to unseen and unheard drama.

I looked like a prat and a half of full-cream milk.

And Angela was working at home today.