Productivity lessons from Strictly Come Dancing

You’re thinking oh yes, really, there is productivity to be learnt from the UK’s version of Dancing with the Stars? Yes.

Such as this. Right now as we speak, it’s the gap between the two episodes making up this year’s final. It’s about an hour, just shy of an hour, and it’s short enough and the timing is awkward enough that there isn’t a whole lot you can usefully go do before the show’s back.

But you could write.

I would be writing if I weren’t talking to you. So this is definitely a case of very specifically do what I say rather than what I do.

And this is what put the idea in my head. But once it was there in my noggin, I realised that there are productivity lessons aplenty.

Maybe it’s not a shock. Strictly runs for, what, 16 weeks? Once it starts, it is a train and there must be hundreds of people working flat-out on it. Every person vital – this is the BBC, they ain’t paying for people they don’t need – and that means everything they each do is crucial. Vital, crucial and time-dependent. Tina Fey has a great line that I remember a lot when I’m vacillating over projects I’m writing:

“The show doesn’t go on because it’s ready; it goes on because it’s 11:30.”

Tina Fey, Bossypants

We spend a lot of time as writers going around in circles over whether something is ready and whether something is good. Sometimes that is exactly the right thing to do. Sometimes that is what makes us writers and makes our material sing. But sometimes: let it go. It is done, get it gone.

I believe in debating what needs to be debated and finishing what needs to be finished. And the deadline of a live show every week is like cement-lined evidence to me.

But do you follow Strictly? I don’t watch The X-Factor because it seems the same every week to me. Someone comes on and they can sing or they can’t. Next week, they can sing or they can’t. No difference. With Strictly, people are visibly transformed. They’re transformed by many things but one is confidence: facing up to dancing in front of millions changes them. And always, always, when a celebrity’s personality comes out, they dance better.

Drama writing requires us to dig deep. Dancing requires letting go. But both require us to listen to the music and that’s productivity to me. Hear the rhythm, the beat and get going.

Celebrity fame and productivity

I’ve got one of these. But if I were also a famous celebrity, this is what would happen. You’d hear about me a lot on the news and each time I would’ve got a new book out. Or my shocking scurrilous sordid squid sex secret has been revealed. (Delete depending on what celebrity news outlet you read.)

My personal life aside – we’re all adults here, I don’t judge you, you don’t judge me or at least don’t judge me until you’ve tried it – I think that there is something interesting and something that gets forgotten. These people you see relaxing on the BBC Breakfast couch talking about yet another book, yet another success, they have two things going on that they don’t really talk about and that they are not really asked about either.

First, they need that publicity. I don’t mean that they crave it within their souls or that their lifeforce depends upon adulation, I mean that without you hearing about their book, the book doesn’t sell. They want to eat, sure, but they probably also want to keep on writing books and they need us, they need some floodlights put on their faces.

But the second thing is ridiculous. We listen to journalists asking people about their new book and yet we don’t really, consciously think: “They’ve written a new book”. Obviously they have but we tend to think more that it’s “They’ve got a new book out”. That’s subtly different and I think it misleads us.

To get on the telly talking about a book, you have to write the book.

We see celebrities relaxing, talking happily at events and in interviews, but they solely got there because they did the work. It’s back-breaking work but they have broken their backs and done it.

And tomorrow they’re off doing it again.

I’m not fussed about fame and celebrity, I am very fussed about getting enough sales that I can keep writing books. Do the work. Be productive. And you will produce things.

I have no idea whether that will get you on the telly but I know that you don’t get on if you haven’t done the work.

Why? Microsoft releases celebrity app

So far it is only available on the US iTunes Store but Microsoft has released a free iPhone app that lets you stalk – I mean, track your favourite celebrities. Seriously, why?

Okay, I’ve never bought a celebrity magazine, I have never chosen a film based on the actor in it – or the director, for that matter, though I have because of the writer – so I’m not the target market here.

I’m also not someone who would find the app’s name anything but irksome: it’s called SNIPP3T. All caps and with the 3 instead of an E. Cool. Like a naff password. If you’re interested and if you have a US iTunes account, knock yourself out here.