Dear Sir or Madam, you don’t know me, but…

That headline sounds like I’m sending you a poison pen letter. Which is interesting, because the crux of this is how you can and how you should give someone a certain impression within a very few words. Just hopefully a good one. Hopefully a good impression that leads to work. For this is about those times when you approach a company or a person cold. I want you to see an article from Contently that talks about how you do this approach.

But first, note that it is an American article. That shouldn’t matter except that it does have certain assumptions about freelance life that I think are particular to the States. Even its central tenet has a term, “letter of introduction or LOI” which I’ve not heard before today. That could be me being thick. But then it could also be me being the person who hasn’t written an actual letter to a company in over twenty years.

I think all this still applies to emails of introduction, or I wouldn’t be suggesting you read it, but just take a look and see what you think. Here’s how the article starts:

The letter of introduction, or LOI as it’s known among freelancers, is our written equivalent of an elevator speech, the 20-second blast job-seekers use when shaking hands at interviews. Instead of pitching a new story idea—the classic way freelancers seek work—a written intro describes a story you already know by heart: your professional experience.

LOIs can be vital assets to freelancers because they initiate a relationship instead of a single assignment. And to get results, they should be precise, not flowery or filled with your life story.

Freelance Formal: How to Write an Intro Letter That Maximizes Your Chances of Scoring Work – Holly Ocasio Rizzo, Contently (17 October 2014)

Read the full piece.

Area Man Patiently Waiting For Humiliating Email To Cycle Off First Page

Because you’ve done this too:

EAU CLAIRE, WI—Hoping for additional emails to quickly arrive and take up space in his inbox, local man Steve Mazza told reporters Wednesday that he is patiently waiting for a humiliating message to cycle off the first page of his email program. “It looks like I’ve got a few more days until there’s enough new stuff to bump this thing to the second page,” said Mazza…

Area Man Patiently Waiting For Humiliating Email To Cycle Off First Page – The Onion (8 October 2014)

Read the full piece on The Onion.

Emailing links and attachments to editors and producers

I talk about this quite a bit in The Blank Screen book because it’s a thing. If you’ve never had people sending you massive attachments you may not appreciate quite why it’s a problem. (For one thing, company mailboxes have to have a limited size because there are so many people on staff that it’s expensive to have a lot of space. One multi-megabyte attachment could make the difference and an editor will come in on Monday morning to an inbox that has stopped receiving any new emails after yours.)

Unfortunately it’s a thing that doesn’t have very clear answers. You should definitely wait until an editor or producer has asked you to send material before you do, but does that mean you can’t send anything at all?

Probably.

Today you might reckon you can send a link to something, though. A copy of your script on Dropbox. A showreel of yours on YouTube.

Unfortunately, that’s a thing too. This is why I’m mentioning it today: I just got a reply to an email of mine and the recipient’s network had edited my message. I’d crafted this perfect opening paragraph and instead the first thing she read was this:

Warning: This message contains unverified links which may not be safe. You should only click links if you are sure they are from a trusted source.

I hadn’t intentionally sent her anything; I even had to scroll down to see what links I’d sent.

But there it was. I’d used a signature that included a little cartouche of links about me:

Writer: The Blank Screen, The Beiderbecke Affair, Doctor Who

I shouldn’t have done that. There was no reason she needed to know or that I wanted to tell her, I just used the signature because it also includes my contact details and we were arranging a meeting.

I don’t think you can avoid links today. But you can make them ones that work without having to work, so to speak. That recipient’s network prefixed my message with an ugly warning and others will actually block the message entirely. So only use links when you need to but then also make them immediately useful. For instance, I will sometimes include a link to the page about me on Wikipedia – isn’t that great? that there’s a Wikipedia page about me? – but I’ll do it in a particular way. I’ll say that there is this page and yes, I’ll include the link, but I don’t need the reader to click on it. I don’t even care whether they do: the function of that link is not to send someone to my Wikipedia entry, it is purely to advertise that I have a Wikipedia page about me.

So if you must have a link, find other ways to use it in case they never see it or never click on it. If you must send an attachment, make it one they’ve asked for. And not, please, a fancy graphic logo in your signature.

This a bit specific, but if you have OmniFocus and Keyboard Maestro…

…wait, let me tell you what those are. They are gorgeous. Now read on.

Okay. OmniFocus is my beloved To Do task manager and it comes up a lot on this site. If you’re not sure what it does, wait ten seconds and I’ll have a new mention of it. Keyboard Maestro is different: I have mentioned it but usually in passing or when it’s been on sale. It’s one of those tools that you set up and forget, so I rather set it up and forgot about it.

Keyboard Maestro lets you tap a couple of keys and set your Mac off doing all sorts of things. I have a key that opens OmniFocus. (Told you.) There’s a fault on my MacBook Pro where the Q and W keys don’t work and it looks like getting it fixed would be both expensive and time consuming. So I’ve told Keyboard Maestro to type a “w” when I press Command-1. And similar for capital W, q and Q.

I think there are more, but you come to believe that your Keyboard Maestro setup is just a normal part of your Mac. I’d need to go to another Mac and use it for a while before I could tell what Keyboard Maestro does by seeing what that Mac doesn’t.

But I have been the very smallest, slightest user of this software and that will change by about a pixel today as I’ve discovered a way to use it to solve an itch:

Using Keyboard Maestro, I was able to create a script that, when executed, creates and sends a custom-built email to my OmniFocus Mail Drop—and containing a direct link back to the original Mail message.

Specifically, here’s what the script does:

It executes a Keyboard Maestro script called “Get Message URL” which calculates the URL to the currently selected Mail message. (That script simply executes some AppleScript, which I’ve included below.)
Prompts me for a short text to be used as the todo title.
Sets a variety of Keyboard Maestro variables.
Creates an email message whose subject and body content are built from those variables—including the link to the original message—and then sends that email to my Mail Drop address.
Archives the original Mail message—since at that point, I’m done with it.

Using Keyboard Maestro to create todos in OmniFocus 2 that are linked to original messages in Mail – Matt Henderson, The Defacto Blog (23 May 2014)

Did you get that? The full feature has much more of an explanation plus diagrams – I should have more diagrams on this The Blank Screen, shouldn’t I? – and it’s also got the specific details you need to use this yourself.

Which is the specific detail I am this very minute taking in order to do this myself.

Nearly forgot: Keyboard Maestro for Mac costs £23.05 in the UK and is available here.

UPDATE: Done. Took me 17 minutes by the look of it. From a standing start, an “eh?” to running, working and using this.

Making email addresses as secure as passwords

I do know someone who deliberately picked a hard-to-remember email address, something like 9fytyth@hotmail.com because that looked professional. No, I have not one single idea either. I’d email to ask her why, but I can’t remember her address.

However, friend-of-the-blog Daniel Hardy has spotted another, better, easier-to-do way of making an address that’s hard to guess. Easy to remember, hard to guess. He tweeted:

I remember you saying you use this to combat spam, turns out it’s good for security too
Tweet – Daniel Hardy (3 September 2014)

The thing I’d use to counter spam was creating sort-of fake email addresses. They’re only sort-of fake because they really work. But they’re not your real one. What I really recommend is getting your own domain name so that you can make up any address, any time. So I might sign up for Tesco with an address of tesco@williamgallagher.com and it will work. But should Tesco ever sell out its email address to, say, an alien invasion force from beyond the stars, I can just block anything sent to tesco@williamgallagher.com.

But there is now also a very smart way to do this without the trouble of getting your own domain name. If you’re a Gmail user and your address is, say, Al.Phabet@gmail.com then you can give Tesco the address Al.Phabet+testco@gmail.com and it will work. It will work, the fine people at Tesco will be able to email you whatever it is they burn to email you, but at any time you can nobble this new address. And at no time do they know your real one.

Dan saw this on The Verge which goes on to say:

Now, this is not a security panacea by any stretch. You should still be using a password manager to help you keep track of all your different passwords — and now, different email addresses. If you forget the specific email address you’re using, you’re even more out of luck than you are if you forget your password. If you don’t even know the email address you registered with, you won’t be able to even get to those security questions. I personally use 1Password, which I like because it securely stores my data in the cloud (yes, there is an irony there), but there are others like LastPass that seem generally trustworthy.

How to make your email address as hard to guess as your password – Dieter Bohn, The Verge (September 3, 2014)

The full piece does cover the times that this can’t work. And while this particular trick is specific to Gmail, the piece goes on to at least begin covering some similar things you can do with Outlook and others.

Don’t deal with emails one at a time

Yes, yes, sometimes you have to look at each email and decide what to do. Fine. But you know you often don’t. Look at the last twenty emails that landed in your inbox: a couple might be spam, a few might be useful or important or urgent, but the rest are nothing. So you delete them. I’m just saying deleting them faster.

What I do is option-click on the first email I know I’ll delete, then I keep the option key pressed down and I click on every killable one as I scroll down. Then, wallop, I press delete once and they’re all gone.

This writer has a different approach. I think it’s dangerously close to thermonuclear, but:

Rather than reading every email message and acting on it, select as many emails as possible in a batch and deselect the messages you actually need to do something with. Email clients have different ways of letting you do the mass selection, but Control-A(for Windows) or Command-A (for Macs) will usually do the trick; here’s a list of keyboard shortcuts for Gmail, Outlook, and Mail for Macs. Depending on your email client, you’re going to either be able to select as many as you can get on a screen or some other setting like 25, 50, or 100, as is the case with Gmail. Most of the time, scanning the sender and the subject will give you enough information to know whether the message actually requires your attention.

Use Batch Actions to Get Through Your Email Faster – Charlie Gilkey, Productive Flourishing (2 September 2014)

It’s just the reverse of what I do: Gilkey gets ready to nuke everything and then gives a few emails a reprieve. Read the full feature for why and a bit more about how.

How to handle email backlog: Select All, Delete, Shudder

When Russell T Davies, with Julie Gardner and more, brought back Doctor Who to television, he automatically got a BBC email address. He just didn’t know about it for years and the story goes that he only found out when BBC IT finally asked him about it. He sat there with someone from IT as they opened the mailbox and of course there were eleventy-billion unread emails.

Davies says he had the IT person delete the lot.

I’m with him there, I think I’d have tried reading them but ultimately he was right and I’d have been wrong. Nonetheless, for my own email inboxes that I actually know about and actually use, I couldn’t do that.

Now Daimler is doing it for us. Specifically, for its employees when they go on holiday. If they want.

The full story is on the Financial Times website where you’ll need to register but, as a non-FT registeree, I found it on The Atlantic which quotes the Times as saying:

The Stuttgart-based car and truckmaker said about 100,000 German employees can now choose to have all their incoming emails automatically deleted when they are on holiday so they do not return to a bulging in-box.

The sender is notified by the “Mail on Holiday” assistant that the email has not been received and is invited to contact a nominated substitute instead. Employees can therefore return from their summer vacation to an empty inbox.
“Our employees should relax on holiday and not read work-related emails,” said Wilfried Porth, board member for human resources. “With ‘Mail on Holiday’ they start back after the holidays with a clean desk. There is no traffic jam in their inbox. That is an emotional relief.”

Auf wiedersehen, post – Daimler staff get break from holiday email – Financial Times (August 2014)

The Seven Deadly Sins of Email

There are only seven? What about those utter bastards who don’t put subject headings on so you have to open the message RIGHT NOW to see that it is ALWAYS trivial nonsense that seriously could’ve waited?

Asian Efficiency, a site that I like very much, has a piece that I think is more about you than it is about your email. Specifically, number 1 of these sins is definitely your fault:

Opening email first thing in the morning.

When you open your email first thing in the morning, you are opening up Pandora’s Box. There is both good and evil that could be waiting for you in there. However, the sin comes from the false urgency you get from all of the good, the bad and the ugly emails.

Why is starting your day with email so deadly?

Willpower tends to be higher earlier in the day. That means you’ll be able to provide your best energy and effort to your most important task (MIT).

When you open and respond to email first thing, you are basically telling the world, “What I had in mind for today is not nearly as important as what you had in mind.”

Responding to urgent requests early will also train the requestor to send you more urgent requests. You will then find yourself spending more time working on “other people’s agendas” rather than your own.

Tackling email early in the day is one of the most sinister of sins because responding to emergencies can make you feel productive, responsible and even important. However, more times than not this habit prevents you from creating long term, lasting value.

Starting your morning with a number of little emergencies found in your inbox has the tendency to creep into the rest of your day. If you’ve ever found yourself exhausted from work at the end of the day despite the fact you did not accomplish anything you intended to… early am email could be the reason why.

The 7 Deadly Email Sins – Zachary Sexton, Asian Efficiency (undated but probably 28 July 2014)

Read the full article for more about what exactly you can do instead of that and six more things that I hope you’re doing now because I know I am. We can stop it together, right?

Gmail adds nice Unsubscribe feature

Well, you’ve always been able to unsubscribe from advertising emails but Google is making it easier: if the email has a wee little unsubscribe link hidden at the bottom, Gmail will pop an unsubscribe link right up at the top where you can see it.

Two things to note. First, this is rolling out across Gmail but Gmail is big so this will take time and you may not see it just yet. But hold on, it’s coming.

Second – and trickier – think twice about unsubscribing. You know how you don’t always remember when you signed up to receive something? Occasionally you didn’t and it’s spam. In which case, hitting Unsubscribe sends a message – literally – to the spammer telling them that this is a real email account with a real human being reading it. No chance they’ll go “oh, okay, let’s take ’em off the spam list”.

Previously if I’ve had any doubt I’ve marked the emails as junk and let Mail (I use Apple’s Mail) deal with it. There is a wee problem with that: if the email is not junk, the fact that you junked it gets reported back to whichever company is delivering the emails. If enough people junk the emails, the sender is blocked. You can bet that spammers have ways around that so the only ones who suffer are legitimate companies that you really did sign up to receive emails from.

If you’re struggling with a huge amount of email newsletters and the like, take a look at Unroll.me. When you let it, Unroll.me scans your emails and gives you a list of everything that you can unsubscribe from – and lets you do that with a click. I’ve not used it myself but it comes recommended.

Good old Amazon, fighting for our rights. Yeah.

This has been reported on extensively and derisively before so I don’t know why it’s taken this long to land in my inbox. But this morning I got a rallying call kind of email from Amazon, urging me to stand with their noble men and women as they fight the good fight against the wilful stupidity of publishers.

You can tell I’m on Amazon’s side. Clearly. Actually, before this email, I wasn’t exactly ambivalent but I was willing to see that there were points on both sides. Amazon wants cheaper ebooks, publishers want to survive. That doesn’t sound like my seeing both sides but I’m am truly finding it hard now because this email so annoyed me.

It’s a long email. It opens:

Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year.

With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion.

Well… history doesn’t repeat itself, but it does rhyme.

An Important Kindle Request – email from Amazon (9 August 2014)

Tasteful use of the Second World War there. The dispute and versions of this email have been reported on and analysed and had the sales figure maths in them ripped apart. And now 900 authors you’ve heard of have objected.

I’d like to add just one thing. Amazon states that ebooks should be cheaper because:

With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive.

I obviously tremendously appreciate that ink is worth more than my time and work actually writing the bloody thing. But that’s not it. This is: do you know that when you buy a Kindle ebook, Amazon charges the publisher for the cost of delivering it to you?

Whatever you’re thinking now, it begins with the words “Hang on…” and the thought that we download Kindle books off of the internet. There is no delivery cost.

There was. Back in the olden days, like five or six years ago, it could cost some money to deliver your book. Follow. You’re on a beach, you’ve got your Kindle device, you fancy a book, you buy it – all over what’s really a cellular mobile connection. You’re not paying for that but it costs money to run so Amazon would charge the publishers. It was and is called Whispernet, which I do think is a lovely name, and the bigger the book, the more publishers were charged.

I would like Amazon to be more upfront about its charges. Most everybody complains that Apple takes a lot with its 30% cut but it is 30% and you now know everything. With Amazon it’s this percent or it’s that, it’s this charge or it’s that. My counting-on-fingers calculation makes the two come out about even but it’s a choice of being annoyed how much Apple charges or aggrieved how sneakily Amazon does.

Nonetheless, this is today and this is not five or six years ago. If most Kindle downloads aren’t done over free wifi then at least most of them could be. There is at least far less call for a Whispernet surcharge, if there is a call for it at all.

But you don’t see any mention of that obsolete publishing expense in Amazon’s email the way you do warehousing.

I think this is a case of a company addressing an email to one audience while intending it to be read by a completely different one. I’m so aggravated by it that I find it hard to imagine any author agreeing with the way it’s written even if they, somehow, agree with Amazon’s logic. But unfortunately I can very easily imagine it convincing readers who have no need to know or interest in knowing what all this means.

I’m enraged at Amazon’s chutzpah but I think the email is clever. That just pisses me off even more. Enough so that I’m torn over whether to post the whole text or not. I obviously should for completeness yet I don’t want to encourage them and, actually, I don’t want to read it again.

But if you’ve read this far, I can’t leave you hanging or ask you go off doing Google searches. So here’s the complete text, stripped only of my email details at the top.

From: Amazon.com
An Important Kindle Request
9 August 2014 05:44

Dear KDP Author,

Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year.

With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion.

Well… history doesn’t repeat itself, but it does rhyme.

Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive.

Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers.

The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books.

Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive.

Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We’ve quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.

But when a thing has been done a certain way for a long time, resisting change can be a reflexive instinct, and the powerful interests of the status quo are hard to move. It was never in George Orwell’s interest to suppress paperback books – he was wrong about that.

And despite what some would have you believe, authors are not united on this issue. When the Authors Guild recently wrote on this, they titled their post: “Amazon-Hachette Debate Yields Diverse Opinions Among Authors” (the comments to this post are worth a read). A petition started by another group of authors and aimed at Hachette, titled “Stop Fighting Low Prices and Fair Wages,” garnered over 7,600 signatures. And there are myriad articles and posts, by authors and readers alike, supporting us in our effort to keep prices low and build a healthy reading culture. Author David Gaughran’s recent interview is another piece worth reading.

We recognize that writers reasonably want to be left out of a dispute between large companies. Some have suggested that we “just talk.” We tried that. Hachette spent three months stonewalling and only grudgingly began to even acknowledge our concerns when we took action to reduce sales of their titles in our store. Since then Amazon has made three separate offers to Hachette to take authors out of the middle. We first suggested that we (Amazon and Hachette) jointly make author royalties whole during the term of the dispute. Then we suggested that authors receive 100% of all sales of their titles until this dispute is resolved. Then we suggested that we would return to normal business operations if Amazon and Hachette’s normal share of revenue went to a literacy charity. But Hachette, and their parent company Lagardere, have quickly and repeatedly dismissed these offers even though e-books represent 1% of their revenues and they could easily agree to do so. They believe they get leverage from keeping their authors in the middle.

We will never give up our fight for reasonable e-book prices. We know making books more affordable is good for book culture. We’d like your help. Please email Hachette and copy us.

Hachette CEO, Michael Pietsch: Michael.Pietsch@hbgusa.com

Copy us at: readers-united@amazon.com

Please consider including these points:

– We have noted your illegal collusion. Please stop working so hard to overcharge for ebooks. They can and should be less expensive.
– Lowering e-book prices will help – not hurt – the reading culture, just like paperbacks did.
– Stop using your authors as leverage and accept one of Amazon’s offers to take them out of the middle.
– Especially if you’re an author yourself: Remind them that authors are not united on this issue.

Thanks for your support.

The Amazon Books Team

P.S. You can also find this letter at www.readersunited.com