Here’s the thing. George S Kaufman read John Steinbeck’s Of Mice and Men when it was published in 1937 and immediately commissioned him to write a theatre version of it. Reportedly Kaufman said: “I don’t know if there’s a dollar in it, but it’s got to be prepared for the stage and Steinbeck’s the man to do it.”
Not only did he buy the rights and commission Steinbeck, he put the writer up at his ranch.
Fine. And especially fine since at some point around then Steinbeck announced: “I don’t go to the theatre much and I don’t know a darn thing about actors.”
But he may have been telling a pork. Like all writers do when necessary, like you need to do a bit more often. Don’t seem needy but do be ready.
For in correspondence with George Albee the year before, Steinbeck said: “It is a tricky little thing designed to teach me to write for the theatre.”
So he was planning a stage version long before he was commissioned. (Does that sound familiar to you at all?) You have to admire his chutzpah but you also have to admire his stage play, which in this 77th year is being revived all over the world – including a production at my favourite, the Birmingham Rep.
Where he may differ from a lot of us is that he didn’t go to see his play. It opened in New York City, it opened on Broadway and it opened to immediate rave reviews and big business, but he didn’t go. Reportedly, he believed that his script was perfect and that any actual production would necessarily be a let down.
Ah, we all think that about our writing.
Don’t seem needy but do be ready. And maybe a bit more modest, I don’t know.