Pipped to the post

During the pandemic, I did a lot of interviewing of people and there was one man who got quite anxious before the call. He was a very good, very interesting interviewee and I’m sure he’s rarely anxious, but he was then and for one single reason.

The time.

He told me that he had been on a Zoom meeting that was overruning and all the way through, he could see the clock on his computer and knew I would phone at exactly the time I said. Exactly. And that because we were all in lockdown, because we were all on computers, my exact time would be the same as his exact time.

We talked about that after the interview. How it used to be that you didn’t assume people would turn up on the stroke of whatever time it was, since your clock and their watch would be a bit out.

He was right, that’s gone now. And I like it: if I arrange to meet or to phone you at a certain time, you can be certain I will. On the button. So our use of internet time servers to regulate our computers and our phones and our smartwatches suits me fine.

Only.

On New Years’ Eve, we were watching BBC1 for the countdown to 2023 and because we were watching on the BBC iPlayer, it was late. We’d done the “Watch Live” bit, we weren’t ten minutes behind on demand, but the time it took that countdown to go from BBC1 through the internet to our smart TV, it was a significant delay.

And it always is. I’m shocked how little I listen to BBC Radio 4 these days, but I know it still has the pips to mark the top of the hour — and I know they’re wrong. It used to be that you couldn’t broadcast those pips under any circumstances other than the top of the hour, so dramas that used them had to find some reason to cut away before the full pip time signal was given.

Now you can hear it anytime you like on the BBC iPlayer, because the playback from that is not a discrete recording of any individual show, it is a time-based slice of BBC output. If you want the 18:30 comedy, you get it, plus anything else aired from about 18:30 to about 19:00, sometimes a little before and after.

So here we are with instant access to everything. Here are major global news operations like the BBC, still just occasionally putting out this fiction of the time being what they say it is.

Mind you, you know the BBC started its coverage of the 2023 countdown at exactly the right time, it was internet connections and latency and all sorts of things that delayed at my end.

Whereas CNN just cocked it up entirely through human error. They were playing live music, they forgot the countdown. There was some issue with a technical problem they hadn’t bothered to fix, but that’s just more human error in the end.

And I don’t know why, but in this age of picosecond precision, as much as I like that, I enjoyed hearing about CNN. I know it wasn’t deliberate but, still, good on them.

Next yearn

I’d like some credit here for speed: I think there’s a decent chance that this is the first conversation you’ve had about 2023. Except it is more about 2022 and how, for me, that feels like it’s already over.

This is partly because I’m writing an episode of my little 58keys YouTube series that can only run in Christmas week, but also I’m doing a thing in December. It’s called a holiday and I’m sure you’ve read about these too, but for such a long time now, I’ve spoiled the first couple of days of a break, even or especially if that break is just a couple of days. I’ll have been working up to the last conceivable second, quite often beyond that, too, and the moment I’m clear of all the work, I get sick.

You know about this, too, though I hope not from experience. The adrenaline is spent, the momentum is gone, you’re clutching your stomach and examining porcelain close up, knowing you’re going to have to clean that next and that lasagne is not always the great idea it seemed.

So the plan is to not do that.

This seems like a plan.

But it entails scheduling the work better and, frankly, dropping a lot of it. I’ve got a little while yet but two weeks before this break, I will stop getting up at 05:00. I won’t take on any evening work that I haven’t already committed to. I will take time off in order to then take some time off.

Which could be okay, except for this. It means the year is over.

That’s a huge exaggeration, obviously, but it’s not very long until this Great Two Week Pause before the holiday, then there’s the couple of days away, and when I’m back it will be full-on late December. I am not going to get any new projects off the ground before the end of 2022.

It’s just hard to see another year go when I haven’t achieved anything. I did double the subscribers to that YouTube channel, and actually I write it each week so I have just been paid for something like 45 scripts this year. I did run a newsroom for a spell, did get to judge on a couple of awards, have become Deputy Chair of the Writers’ Guild once more, have read exactly ten times more scripts than I’ve written. And yesterday I unblocked a sink. So, you know, there’s that. I also saw The Pensioners from Fame in concert.

But I cannot seem to shake how this was the year I should have had a BBC Radio 4 play on. That one small thing, just 45 minutes, would have defined 2022 for me and instead the fact that legal problems destroyed it, that appears to have defined 2022 for me.

I have met a lot of people this year, surprisingly often through that 58keys series, and I cherish that. But I’ll be glad to step over into 2023 and do that year properly.

But first I’ll spend a ridiculous amount of time thinking about how the word “year” is so close to “yearn”.