A few thrilling moments: 2014

Two things. First, “I’ve had a few thrilling moments” is a quote either from Grosse Pointe Blank or Ally McBeal. I forget which, I just use it a lot.

Second, this is a stupid idea. Stop reading this. And definitely do not do what I do.

I’ve been enjoying reading blogs about what people got up to this year, I’ve been enjoying those a lot, and I did think it would be spectacularly easy to do one myself. Of course it would: I have a trick.

Follow. Last year I did this thing, right, and by mistake believed I was supposed to report back at the end of each month. I was entirely wrong. But it took a good six months for them to say, William, look, it’s all very nice, but… And in those six months I had learnt something. I learnt that having to account to someone made me do things that were accountable. Most especially in the last week of each month. Oh, yes. I’m a demon from the 27th onwards.

Consequently I ignored these fine people and continued reporting back to the end of the project – and then I carried on doing it over on The Blank Screen productivity website. That version is a bit sanitised, a bit more careful, but it’s all there and it’s all true every month. And yep, 27th onwards, demon.

I’ve got this down now, I really have: when I’ve done something, I make the tiniest of notes in Drafts 4 on my iPhone and know that it is squirrelling it all away into an ever-lengthening document over in Evernote. Effort on my part: pretty close to zero. Result on its part: the demon run of the 27th onwards.

So doing you a list for the year should’ve been a doddle. It was an enormous doddle. Couldn’t have been easier. Open Evernote, select all, copy, paste, go make some tea.

Except.

I’m not stupid, I think the list is okay. I think I did alright. If pushed, I would say that I’m pleased with 2014.

But have you spotted the ENORMOUS FLAW yet? I have nothing in 2015. Not a bean. This year, not bad. Next year, tundra blowing across the hills. There should be a couple of books coming out, possibly even three, and I’ve been booked for some events that I am spectacularly looking forward to. But tomorrow morning I get back to this desk and I look at the very blankest of blank screens.

Frozen. Paralysed.

At least until January 27th.

If you’ve read this far, thank you and it’s been a treat talking with you this year. If you read on to the list, you’re mad and I am even now dialling NHS Direct to get you some help.

William

2014

Writing: approximately 620,000 words

Books:
Filling the Blank Screen (September 2014)
The Blank Screen Guide: Blogging (January 2015)
Editing Catherine Schell’s autobiography (2015)

Speaking engagements:
88 talks, workshops and presentations including:
Page Talk panel discussion at the Royal Shakespeare Theatre, Stratford
Representing the Writers’ Guild in the House of Commons for Parliament’s Birmingham Day
Promoted the Writers’ Guild at two RTS Mini-Summits including one at BBC Nottingham
Spoke at Combrook Readers’ Group for short story I’m writing for them
Performed three workshops at Original Writing Day in Newman University
Ran three-day workshop at Fircroft College
Many Young Writers’ Write On! group sessions for Burton, Birmingham, Rugby
The Writers’ Toolkit: produced one panel, spoke on a second, chaired a third
Three productivity workshops for the Federation of Entertainment Unions

Produced Events:
9 including:
One Steven Knight interview evening for the Screenwriters’ Forum
A separate Steven Knight event at the BBC Drama Village for the Writers’ Guild and the Royal Television Society
“Women in Theatre” panel discussion at the Birmingham Rep
Erica Whyman Royal Shakespeare Company event for Writers’ Guild
Royal Television Society Film and TV Summit breakout sessions

Fiction, drama and poetry:
Doctor Who: Scavenger radio drama released
River Passage: earned Arts Council England funding for poetry app
Wrote and shot “Ye Olde 3G” 30-second video promo: won an iPad Air
Thirty-minute stage play “Murder at Burton Library”
Directed “Murder at Burton Library” for Burton Young Writers
Resistance: radio, theatre and TV proposals; dozen script pages
Transferable Skills (4 pages of script)
Soundscapes education scripts (2015)
Wrote poem “My Curse” for Jo Bell’s 52
1x poem ‘Heart’ (100 words)
Revised novels “Man and Wifi”, “Transferrable Skills”
New novel “Men Win” 10,000 words
Seven short stories including The Book Groups for West Midlands’ Readers’ Network and The Flare, a GISHWHES short story by request

Blogs:
The Blank Screen: 1,229 articles
Self Distract: 56 articles
Guest blogs: 9

Attended:
Theatre: 25 shows
Other (meetings, workshops): 54

Journalism:
Edited Write On! Magazine issues 3, 4 and 5
Radio Times reviews 10
Magazine tutorial feature re iPad
2 ecourses on productivity issues
2 presentations
1 Lifehacker UK article
Launched weekly email newsletter for The Blank Screen
Took over monthly email newsletter for the Writers’ Guild West Midlands
Four iPad software tutorials
MacNN: 30 reviews for US technology site
Wrote Writers’ Guild press release re Library of Birmingham cuts

Publicity:
Photoshoot for Writing West Midlands
Interviewed for From Croydon to Gallifrey podcast
Interviewed in Doctor Who Monthly
Chiefly great reviews on Doctor Who fan sites
Stonking review in Doctor Who Monthly: “Seductively gripping”
From Croydon to Gallifrey podcast interview aired
Radio interview: BBC CWR re anniversary of moon landing and TV history
TV interview: Russia Today

Other:
Became regional representative of the Writers’ Guild
Joined Royal Television Committee
Ran day-long workshops in London, Newcastle and Birmingham for Federation of Entertainment Unions
8 pages copywriting for PR firm
Joined Creative England crew site
Asked to judge RTS awards
Two-day drama meeting with Nadia Kingsley and Tom Wentworth
Na wrote a poem about me
Produced video for Parliament Day and the Writers’ Guild
Promoted the move to get Alan Plater a blue plaque
Produced 2x videos for The Blank Screen site
Writers’ Guild and Royal Television Society event invitation emails
Birmingham Rep theatre programme copywriting for Of Mice and Men and Solomon and Marion
Met with BBC to discuss general projects plus liaising with RTS and Writers’ Guild
Launched The Blank Screen mentoring
Room 204 Buddying Group: took over managing; ran two quiet social events

ENDS

What is this story called again?

The forgetful robot sat in the park burning a candle. He hoped that it would attract Santa’s attention. But he’d forgotten that day he had stuck his tongue out at Miss McGonagle. Seven times. That meant Santa would never see him again. He is off Santa’s list forever. 

But maybe he’s still on Santa’s secret list. The Shush-Don’t-Tell list for boys and girls who he can’t truly say are exactly good but, come on, it was one time. Okay, it was seven times.

Sticking your tongue out at Miss McGonagle is very bad but Santa – shush! don’t tell! – likes sticking his tongue out too. Because he can. He’s so fast going around the world that he can do it without anyone noticing. It makes him giggle and laugh.  If you’ve ever heard Santa going ho ho ho, really he’s just stuck his tongue out at someone.

The forgetful robot thought he heard laughing, but then he forgot. It’s more or less his job, really, forgetting things. If you want something forgotten, you hire a professional forgetterer. And there is no one more skilled at forgetting than Siduloiwciosulhifscys, though he calls himself Sid so that it’s easy for you, and so that he can remember all the way to the end of his name.

What was here waiting for again?

Right, yes, Santa.  

What was he waiting for again?

Right, yes, Santa.

What was he waiting for again?

Right, yes, Santa.

The forgetful robot eventually had an idea and wrote down the word ‘Santa’.

What does this word ‘Santa’ mean?

What does this word ‘Santa’ mean?

The forgetful robot thought about it. He was quite clever, he was just forgetful. So after a bit, he worked it all out. ‘Santa’ must be the title of this story. What was this story about again?

Squeezing your heart

We get Christmas all wrong. I don’t mean that it should be a religious thing, I’m afraid I am entirely happy with the commercialism. Getting presents is great, giving presents is greater and there is a genuine magic in the air when we like sticking a tree in our living room and draping it in impossibly gaudy tat.

There is no other minute of the year when you’d register that tinsel exists. Can you even buy tinsel outside that so-very-brief Christmassy period of early September to late December?

I’ve just done exactly what I think is wrong. I got one beat into thinking of Christmas and I’m off puzzling about the past. I don’t think a vague wondering about tinsel supply and demand is especially wrong, but there is something inescapable about looking back. Maybe I’m just now old enough that what I mean is this: when you’re really young, Christmas is about presents and when you’re not, then Christmas is about pasts.

If something truly bad ever happened to you within earshot of a Christmas then it’s with you for every Christmas after it. You know this. Forever. If you’ve lost someone, your mind gets constantly pulled to the gap they’ve left. Christmas becomes this seething mass taking place at head height: sometimes you just have to duck down to get away from it, to make it stop.

Look back. Choose to look back. You can’t stop yourself looking back so go with it, go for it. Think about who you’ve lost and what. Change this from a time when you can’t breathe to a time when you celebrate who you had and what.

Just don’t do it for too long.

And hold my hand.

Shelve your ideas

So some preposterous number of years ago, I interviewed Alan Plater at his then home, a spectacular flat in London. I was very young and rather nervous but wowed by how massive this place was and, especially, how full of bookshelves he and his wife Shirley Rubinstein had it. I wanted the flat, I wanted the bookshelves.

I particularly wanted the bookshelves. I’m not sure I could’ve vocalised this then, I suspect I just drooled, but it seemed a pretty perfect kind of place to live in.

Did I mention the size?

I came away thinking that London flats are superb and that bookshelves are fantastic. I was right about one of those things. While Alan and Shirley’s flat was glorious, it was actually two flats. They were knocked together into one long one and in fact few people in London live like that.

Shirley and Alan became close friends of mine after this but I never went back to that flat. They moved to a gorgeous house – and this time the knocking through and building on turned it into an even more gorgeous house with more levels and rooms and crinkly corners than can truly be appreciated in one sitting. Oh, and book shelves. Lots and lots of bookshelves.

I’ve just realised: when I watch Grand Designs or lesser property shows, my lip does curl just a little at those houses that have no bookshelves. Not fit for purpose, if you ask me.

But I like that I never went back to that flat. It makes that place and that moment a specific little bubble. I’ve never been one for lusting after houses and cars – possibly I have a bit for some Apple gear but give me a break here – but those shelves, that bubble, I wanted it. It felt inextricably bound up in what I wanted my career to be. I did lust after being a writer, even as I thought that was something other people did. Not me. Couldn’t be me.

Turns out, it could.

And all of this came back to me this week as I did a mentoring session over Skype. (I do mentoring for The Blank Screen and Other Stories now. It’s a thing.) During the natter, there was an oooh. Look at the shelves behind William.

I turned around, winced at how I’d forgotten to tidy up, but there they were.

Floor to ceiling bookshelves. Crammed.

Nowhere near as organised as Shirley and Alan’s, but bookshelves aplenty and akimbo.

I haven’t thought about this much in recent years but I’m thinking about it today. Because I look at those shelves of mine and I want them. Just as I wanted Alan and Shirley’s, all that time ago.

And I’ve got them.

A couple of them have copies of my books.

How in the world did that happen?

The animals stopped on Tuesday

Monday night, animals. Tuesday morning, nothing. Every cat, every lion, every hump-backed whale just vanished. I think they had a better offer. They’ve gone somewhere else, all of them, and they didn’t even say goodbye.

I think a giraffe left a note.

But I can’t reach it.

I miss the animals. I was never a big animal guy, I knew people who had pets but I didn’t think of that for me. Wasn’t interested. And now I can’t. I won’t ever hear purring. I won’t see flying fish. Won’t ever eat bacon sandwiches.

I miss the animals. I’m going to climb this tree and hope the giraffe’s note tells me how to follow them.

The Book Groups

The plural is important. I’ve been waiting to show you The Book Groups for months. It’s a short story that I was commissioned to write – actually my first-ever commissioned short prose – for the West Midlands Readers’ Network. That’s an organisation which does a just unfathomably huge and wide range of work with readers, libraries and anything to do with books. I think this is their best idea: they commission six writers and then pair them up with six reading groups.

I got a group in Combrook, near Stratford on Avon. (Actually, they might disagree with that definition. Sorry. It’s just that the two times I went, I pointed the car at Stratford and it seemed to work out.)

So I got to see the group twice. The first time I went to sit in on one of their meetings and have a natter about what we all particularly like in fiction. It started so sensibly. I took proper notes. Lots of notes. You should see the notes. More ideas than I could capture. Every author in the programme says this is exactly what happened with them and their group: you come away dizzy with information and perplexed about how to fashion a short story that covers all of these points. That addresses all the groups’ preferences.

It’s easy.

You ignore them.

I didn’t mean to.

I really didn’t mean to. I took that first night very seriously – as daft and funny and full of chocolate fingers as it was, I also took it seriously – and so it was with some guilt that I ignored everything.

Everything except one tiny point. I think literally the tiniest point. It turns out that this gorgeous little village actually has two book groups. And I could not get it out of my head. What if the groups were rivals?

I’ve not had this before: driving home, it was as if the story were pounding at the inside my head, wanting to get out. I refused to listen, I concentrated on the drive and I refused to listen and I will not listen, okay? Enough. The next morning, it was as if I were shaking to get this written. I’ve had that plenty of times on deadline but here it was pushing, shaking, pounding its way out. I can clearly remember the moment when I thought – and maybe even said aloud – okay. Okay. I’ll do it. I’ll write this story about rival book groups, are you happy now?

The plan was that I’d write this tale, get it done and out of my head, then I would go to the notes and start doing the job properly. I’m all for doing jobs properly and as I say, I took this seriously. The Combrook group is so nice there was a moment when I could’ve stopped being a city boy and moved there. They deserved a story that fit all we’d said, that covered the characters and the village, that was a proper job.

And instead they get The Book Groups.

Because once it was written, I just liked it too much. I felt I hadn’t touched the research and yet I’d also spent the research. It was all in this story even as none of it was in this story.

So this is about book groups and I want to tell you that nobody from Combrook is in it. Not from either of their groups. That was one thing I stressed when I went back to read them the tale. The other thing I stressed was that I’d like my seat to be nearest the door in case there was trouble.

I think I can tell you that they loved it. They stood up this week at an event and said so. On Wednesday, there was a presentation to all of the groups of the book we made. Six authors, six groups, six stories and about eighty people gathered in the Library of Birmingham. I know five of the tales were superb. I think mine is too. You don’t often hear me say that, do you?

One more thing? My tale is narrated in the first-person by the leader of a book group. So it’s a short story but it sounds like a script to me. Something I’ve not really understood and yet have been rather proud of is that actors have often told me my scripts are easy to learn because the dialogue is good. How could I not be proud of that? I get it now, though. Because I learnt my story and I learnt it very easily. I didn’t read it at the presentation, I performed it.

Or at least, I preformed the start. We could only read a few minutes of the tale at the event, there wasn’t time for all six stories to be read in full and anyway, we wanted you to grab the limited-edition book.

I long to read the whole story to you. To perform it. Combrook called it “Alan Bennett chic lit”, which made me shatter with pride. My sister said it made her picture Hyacinth Bucket. I admitted I sometimes channeled Les Dawson. If I could come around your house and perform this to you, I would. I can’t even get you a copy of the book now – but I can show you the story. In full.

Sorry: I really intended to write you a single paragraph of explanation and then simply reprint the story. I even thought that would make this week’s Self Distract a quick job. But this story, getting to write this story and then this week to get to act it, it’s been a highlight of my year and I had to tell you.

I could’ve told you faster, mind. Your tea’s gone cold. Go get another mug and a biscuit. Because here’s The Book Groups.

William

THE BOOK GROUPS

by William Gallagher

Our little Book Group isn’t perfect, I’ve never said it is. Ask my husband. He’ll tell you it takes quite some running. But it is our group.

And we were first.

Susie Farrow can say all she likes, I started ours six months before hers. And she only did it because she couldn’t get into mine. It’s not my fault I’m popular. And we can only have so many chairs, that must be obvious to the meanest intelligence. I understand she’s disappointed, of course I do, but that’s no excuse for running around claiming it was all her idea. I ask you. She even got that in the newspaper. Back in Plant a Tree year. “Susie Farrow runs the village’s first reading group and plants trees”. The Parish Observer.

Not very observant if you ask me.

I’ve been in the Parish Observer now. I’ve been in all the newspapers. And you don’t see me bragging.

It’s about standards.

We have standards here in my group. I insist on it. But that doesn’t mean we are exclusive. We do welcome new people, of course we do. When there’s room. I mean, we let in Henry, how is that being exclusive? He arrived just after Sally Moon passed away so there was a vacancy, but that’s beside the point. He wanted to join and we let him, no questions asked. We don’t vet people. We don’t check their income and everybody has a secret past in banking, I’m hardly impressed by that.

Some of us have commented, just in passing, that Henry is good-looking but I don’t see it myself. I love my husband. It’s so much easier when you’re married and can get back to books. I don’t envy these young ones chasing men all the time, I really don’t.

No, the problem with Henry is that none of us in the Reading Group are quite sure he can read.

I suspected it first when we discussed Bleak House and he looked quite blank. Fair enough, I thought, it was a challenging read, perhaps it was too soon. So I went the other way for our next one, I chose an easy book for us. The Da Vinci Code. It’s a terrible book. But sometimes those are best because you can have a really good time discussing how terrible the writing is, how schoolboy the descriptions are.

I was right, too. Henry was much more lively in that session, he got quite animated. Waving his arms about. Touching knees. I don’t like that myself. My husband never gets animated. It’s easy to say what you think without touching, that’s what we say. But it takes all sorts. So long as they’ve read the book.

And I was just sure he hadn’t. I went out of the room to replenish the chocolate fingers and did he say thanks when I came back in? Or was he in mid-sentence talking about Tom Hanks? I pretended I thought it was thanks and the group did give a little laugh. I confess I am quite funny, but I don’t like the group to get boisterous. My husband watches the football upstairs while we’re here and it’s just easier if we keep things a little quiet. “You are a reading group after all,” he says.

When they’d gone and he was off to his bedroom, I rented the film version off Netflix to check it out. It’s a terrible film.

We should’ve had a film group.

Some of the things Henry had said were definitely from the film and not in the book. Well, I say definitely. It was very late when I watched it and we had drunk quite a bit of wine – we are always respectable, I will not tolerate drunken behaviour, someone has to stay sober in our house – so I might be wrong. I’d have to watch the film again and I’m not that concerned.

I think Henry has a little thing for me.

I don’t say anything. Let the girls fuss over him. It’s them I’m thinking of, really. I know they’d be disappointed if I asked him to leave the group. So, never let it be said that I turned anyone away.

Not since 1989 anyway when Amy Rogers said that about Pride and Prejudice and, well, I think we all knew I simply had no choice.

She’s with them now. The other group. I’m sure they get our post.

Still, once you get something in your head, it is hard to stop it festering. And at each meeting, Henry would only ever suggest books that have been made into films. Mind you, what book hasn’t now? But a couple of months ago, before all this unpleasantness, I decided we should pick a John Irving novel. Something meaty for the run up to Christmas, you know? I went through Amazon and I looked up every book on IMDb to see what had been filmed and what hadn’t. I love the internet. You can read how to do anything on there.

Anything. I miss it.

Then at the next meeting, I proposed A Prayer for Owen Meany. I expected to see Henry nipping off to the bathroom again to look it up on his phone but no. He agreed right away. Said he’d never heard of it but if I recommended it, we should definitely read it.

I mustn’t encourage him, I won’t.

Everybody was quite frosty to me that evening, it was most unusual. But I’m not there to be liked. I’m there to get us reading good books and then having a good time talking about them. It’s important. It binds us together, there is nothing like reading. And I really do believe that our little group is a key part of what makes our village special. Makes it a community.

I was walking through our village a few days after the meeting, just past where the post office used to be. It was the last shop in the village and it closed down twenty years ago. Either the Post Office closed it down because of fraud or Environmental Health did for something else. If I ever knew, I forget. But it’s on my way to the brook and everybody knows I take a walk to the brook each morning.

You can’t go anywhere here without bumping into two or three people you simply have to talk to. It’s why we like it here. My husband isn’t much of a talker. It’s easier to get conversation out of a stone! But I do like talking with people, I do like knowing what’s going on. I do like eve-rybody mucking in, everybody cheery together. We’re not some anonymous city, I couldn’t bear that.

So I wasn’t surprised to see Henry walking up to his Jaguar. He was pleased to see me. He can be sweet like that. I look at his excited, out of breath face and I haven’t the heart to tease him about his reading.

But it just shows that you never know what people are really like be-cause he said to me, he said: “I’m so glad you picked that book. Great, isn’t it?”

Then he was gone, I didn’t see where he drove.

Primarily because here comes Susie Farrow, overdressed as usual. She’s out of breath too but I don’t think it’s excitement at seeing me. She’s unfit. Unfit to run a book group, I say. That’s my little joke. Still, it comes to something when a girl her age is red and panting. I ignore that, of course, and just give her a short but polite enough nod.

She sees the book in my hand. “Oh, I heard you were reading that. Sad ending, isn’t it?”

That woman has not spoken a word to me since I turned her away from the group and the first thing she says is to spoil a book. It’s meanness, that’s what it is. And it’s to boast. Of course she’s read it. Of course her book group has read it, hasn’t everyone?

Bad enough that I’m going to see her at the village Christmas party. I walk on and put Susie Farrow out of my head.

I wear a little tinsel hat and I give a little speech about how our lovely reading groups are such good friends. I say something like it every year and it always gets a polite little round of applause. One year even my husband joined in. It was easy to get him to come that Christmas, I’d actually organised sponsorship and he came to support me. To this day, people ask how I got a company to sponsor our little do.

I’ll tell you, though, because it’s about quality. It’s because our group is best. I know it and so does everyone else, including the brewery. So it’s no harm being gracious at the party. I am gracious. I’m not “up myself”. Whatever that’s supposed to mean.

Still, it is about standards and I do think that we should all play our part. Especially in our village. And this year it was so obvious that Susie Farrow thinks she’s superior. She was right there in front of the stage before I was called up to make my speech but then I couldn’t see her when I went to start. I always like to catch her eye during my speech and let her know I know that our group was first. But this time she had walked out. She had actually walked out. Fresh air, said one of the girls. Can’t take the heat, I said. I was pleased with that.

My gaze went to Henry. He’s dependable. Even if he can’t read. I hardly had to look at him before he understood me and was heading out after Susie Farrow. He didn’t get her back in time for the end of my speech but as I say he’s dependable, it doesn’t make him a miracle worker. And they had clearly had words outside. They came back in looking so angry and it was obvious how they avoided each other for the rest of the night.

I’m proud of Henry. Standing up for me like that.

I’m sure he has a little thing for me.

I mustn’t encourage him. I won’t encourage him. But there is something there. I can’t deny it.

My husband came to pick me up. It was easy to get him to do that, it was on his way back from the club. When I came out, Henry was talking to him. He saw me and slapped my husband on the back. “Here she is, you lucky fella.” I’m just saying what he said.

My husband never says anything like that.

Maybe that was why it was so easy.

I was surprised how many people came to his funeral. But then I am a figure here, it’s silly to be modest about it. They all turned out to support me. They’ve not been quite so good since. I really thought Henry would be here every day but I haven’t seen him once. But I expect he’ll make up for it when I’m out.

I tell you, though, it’s really the girls I’m disappointed in. I haven’t seen any of them, either.

I have seen Susie Farrow.

Of course Susie Farrow came to visit me.

She said she was here to build fences, she said she was here because she didn’t know I’d got it in me. She said we could be friends when I get out. Got to stick together. Us girls. “Very well,” I said. “Let’s talk like friends. Who’s given you that ring?”
She wouldn’t tell me.

All front, all talk, that Susie Farrow.

But I’ll give her this, she did bring me a book. She says that she and Henry had a meeting, representing the two book groups, to discuss what to bring me. That will be Henry’s doing, I’m certain. The book is The Wimbledon Poisoner and Susie Farrow says it’s a joke. I’ve never been one for comedy but I thank her for the thought. And I’ll check it out later, I’m sure there’ll be a message in it for me.

Do you know, there are quite few ladies here who I’ve seen reading at recreation. I should start a group. I’m going to start a book group, just for us.

We won’t be the first group, obviously. But you’ll see. We’ll be the best.

Just hang on a sec

I want to give you an example of something. On Wednesday, I was nattering with this guy in a pub in London. He mentioned a writing job he used to have that he had particularly enjoyed. The front of my head is fully in the conversation and enjoying the talk when the back of my head starts thinking.

I couldn’t do what he had done – for one thing, it’s his idea and for another it’s quite a while ago, the gig is gone – but there are elements that really particularly appealed to me. Take this element, change that, bring this, try the other, soon the back of my head is joining the front and I’m enthusing at him about what we could do now.

That’s Wednesday night. By Thursday morning, I knew exactly – I mean, exactly – every inch of the new idea and what to do plus who exactly – I mean, exactly – to pitch it to. And had pitched it. I can’t know if it will happen and I imagine it’s a year away if it does, but 25 hours after the idea, I’ve got a meeting.

This is how I like to work. Think of something and do it. I can’t tell you how satisfying I’ve found the last year: I’ve produced five events in 2014 and while that isn’t many, it is 100% more than I have ever produced before. To think of something and get it done, to eventually be sitting in the audience watching people you’ve chosen be everything you wanted them to be, it makes me giddy.

I like being giddy. I like being busy. I like rushing, I hate waiting around. It’s just that I feel I’ve wasted so much time and have done so little, I need to catch up and get on. If I’m not shaking with giddy exhaustion by the end of the day, I start shaking that I’ve burnt those hours away for nothing.

Except.

That does tend to be the only time I think of today. Usually my head is in next week or next year. I’ve had a stone in my stomach for the last month because I couldn’t get a guest speaker for an event I am especially keen to do well. My head’s been in the day of that event and in the days since I got the gig. Worrying about what I’ll do and worrying about what I could’ve done better or sooner or quicker. Not an awful lot of my head in the day today.

I’ve got the speaker now. She’s a mensch for doing it, I’m a bit of a mensch for asking her, but let’s not menschion that. Let’s just leap to how, now that I have got that sorted out, my giddy mind is looking forward to how that event will go. And my relaxed mind is half looking forward, half very nervous about an event next week where I’m performing myself. (I’m reading from my entry in a book of short stories. I love the story, I deeply loved how the book required me to meet various people before writing, I love how those people reacted to the story, I hate how sick with nerves I am before the launch.)

And.

I have this fear that I’ve wasted so much time yet here I am arguably wasting every day. Always working on the next thing.

But.

I went to a poetry event earlier this week, an evening about Next Generation Poets. Originally I was going on my own, just nipping in to see it, and it was a treat to then find that a friend was going and we could meet up beforehand. I don’t want to presume she had as good a time as I did, but I had a great time and was walking in to that show with her feeling very good and relaxed.

And by total chance, found myself seated precisely in the middle of seven friends I like and whose work I rate immensely.

It was terrible.

There they all were, great and talented people, every last bloody one of them better dressed than me.

None of them were performing, none of us were doing anything, we were just this tiny segment of the audience that happened to be sitting together. My body was in my seat and for once my head was in the room, in the time too. At that point I still had the stomach stone but it lightened. I forgot how far behind I had been feeling I was with everything.

I was just acutely, deeply and actually happily aware of the here and the now. Maybe I’m only reaching for the Ferris Bueller line “Life moves pretty fast… if you don’t stop and look around once in a while, you could miss it”.

But in the here and the now, the there and then, there was a buzz that wrapped around my shoulders and it came from these talented people.

Maybe even from me.

Come in

Here’s a thing. If you show up unexpectedly at my front door, I will be delighted. (Bear with me, this is a theoretical exercise. If you actually show up at my door I will be delighted but I also haven’t tidied up, so it’d be that special kind of delight that borders on panic.)

In principle, anyway, you coming to my door uninvited is in all ways a very good and a very great thing that would make me happy. Really delighted: I’m beaming at the thought. And promising myself I’ll hoover. Since it’s you, I might even dust. Could you pick up the corner of that carpet for me?

If, instead, I show up at your door – well, no, that’s just not going to happen. This isn’t you, this is me. I cannot come to your door unexpectedly or without invitation unless I have a really good reason. “Excuse me, are those flames coming from your roof?” My just turning up as me, not with a message or a parcel or a purpose, I cannot do it. It will never happen. No matter how much I enjoy talking to you, I just can’t do that. I don’t know why.

So when I do go to someone’s home, when they have invited me, I find that very special. It doesn’t matter if I’m there for some practical reason like a meeting or because I’m picking you up to give you a lift somewhere. You don’t let someone you dislike into your home – not if you can help it anyway – so I am alert to the fact that you are welcoming me in. I get the compliment and it’s a big thing to me.

I have had meetings in friends’ houses recently and I’ve felt all of this. There’s a project I’m working on where we tend to have day-long meetings at a particular friend’s house. She actually apologised this week, said she knew it was inconvenient for us to schlep over there and I explained she is insane. It is a treat for me. I think it’s a privilege.

There is just something about how we are all the same and we need the same things, we do the same things, we have the same things – we have kitchens, we have loos, we have books – but everywhere is exactly and precisely as different as everybody. What you choose to have in your home. The spoken and unspoken rules, the way that you choose to cook, the spaces where you work seriously and the spaces where you relax. It fashions a specific environment. It’s an exo-skeleton, a body around your body. It’s the contents of your head and your taste and your past made corporeal and physical and made to be right there within touching distance.

Maybe I’m just groping toward the cliché that a home is someone’s castle but I think your home is you.

Appropriately, my mind has just darted off thinking that I must have a very untidy mind.

But anyway, the other night, Angela and I picked up a friend from her narrowboat on the canal and I felt all this even more acutely. It’s a huge boat and I want it, I want writer Elisabeth Charis‘s home exactly the way she has it, but also it’s closed in enough, it is small enough, that all my feelings about being invited in somewhere were concentrated.

Angela said it best: she said the boat hugs you.

There is a cocoon feel even as the boat rocked a little in the wind. You felt distinctly separated from the rest of the world especially as you could see that rest of the world bobbing outside the window. It helped that you could only make out the rest of the world because there was street lighting near the canal. Otherwise, it was dark out there and it was warmly bright inside.

Equally, from the outside as we walked up to it, I wasn’t sure Elisabeth was even in. The boat looked dark to me. It looked like every other narrowboat I’ve seen on canals and now I wonder if they were all occupied, all the time. They look cold and forgotten. Interesting paintwork, yes, but also somehow alone and closed, bumping next to to the towpath. Yet maybe every one of them was this alive and warm on the inside.

All those boats, all these houses on the street, all these homes in the world. Maybe this is just on my mind because we had a good night. Maybe if Angela, Elisabeth and I hadn’t had a fine natter I wouldn’t be thinking about the bubbles we form around ourselves and about the membrane between outside somewhere and inside it.

I do like houses and homes and I do like property TV shows like Grand Designs. And I think I may be being pretty grand here myself, I may be overblowing things yet I feel it: being invited in to someone’s home is special.

Mind you, maybe I’m only thinking about this because Elisabeth is tidier than I am.

Praise on toast

I had a bit of a rant about the idea of the praise sandwich this week on The Blank Screen news site. I’ve been thinking about it a lot since then and also I’ve been discussing it quite a bit. Consequently, I want to rant a bit more. Do you mind?

You might know this under a different term so let me explain what I mean by praise sandwich. It’s when you have criticism to give a writer and you think it’s going to be pretty bad so you begin with something nice and you end with something encouraging.

The idea is that the little writer believes the praise and is thereby cushioned enough to accept your true criticism. That the poor little writer will learn from you, that you can give them the benefit of your knowledge and do so in such a way that they don’t realise how harsh you’ve really had to be.

Give me strength.

You’re already detecting a certain antagonism from me about this idea so let me nip in quickly with this: no, it hasn’t just happened to me. It’s certainly happened over the years and I think I’ve even been taught to use it too. But I read a piece recently by someone who was advocating it and perhaps because it was couched in a lot of talk about being professional, it narked me.

Because if you actually are a pro, you can smell the praise sandwich from the first bite.

Don’t waste my time with it, don’t insult me with it. If you think you need to give me a praise sandwich, we shouldn’t be working together. We should not be in the same writing group. Good writing groups are so hard to find that I never have. I’ve long since given up trying, though I did have a go with one a few months ago. It wasn’t the right group for me: there was some professional work going on there but not much and at most the writers fed each other praise on toast.

I did the same: I ended up talking encouragingly to a writer who will never get her book published. I could tell her why, I did tell her why, she just didn’t and never will listen to anyone. Hard to know why she was there, really. But then she’s not a pro. She’s a reader, not a writer. Usually criticism is just one’s opinion but in this case my points about her book were as practical and pragmatic and certain as if she’d told me she was entering a poetry contest and the piece she was submitting was a 170,000-word doctoral thesis about trout.

Tell me what good I did her. Tell me what good the praise sandwich I got back was. This was a group that prided itself on being so tough that it could scald the skin off your arms but to me it was kindergarten. It was nap time at kindergarten.

I got some useful stuff out of them. A couple of things I will change in my work. I remember there was one I actually changed right there and then, I made the fix on the copy on my iPad. But the useful wasn’t all that very useful and I had time to make that change because as good a criticism as it was, I got it instantly, accepted it instantly, agreed instantly and thanked the critic instantly, but still had to listen to another five minutes about it. You take in the first minute, thinking there’s going to be something else. Then around the third minute you tune back in because you think it’s fascinating how someone can find this much to say about a character’s job title.

The thing of it all, of course, is that this particular group does not like my work and I don’t like all of theirs. I don’t actually feel they were doing much work and I did like the material I thought was being done seriously. I was just in the wrong group.

You learn from criticism and being with a new group of people ought to be helpful. Fresh eyes, new ideas, all that. But it so often doesn’t happen. Groups form an ecology and as different as each group of people is, they share the same problems for an outsider. It’s like they’re in a bubble and what you see through the iridescent shifting skin of that bubble is different to what they see inside. Inside, this is a world and it has its rules and especially its hierarchies. Both formed over a long time, both now so ingrained that the members don’t see them as artifice but as reality. Their opinion is not their opinion, it is fact.

Whereas what you see as an outsider is chiefly the clock. Uh-huh. Is that really the time? Already?

I think that inside the bubble you are protected and you have your place. I know very many writers who enjoy their writing groups, I know of many groups that I think are run superbly. I’ve a friend who once stopped enthusing about her writing group mid-sentence because she was embarrassed how much it meant to her. It was clearly an important part of her life and I think she felt awkward about that yet I told her the truth: I envied and I still envy her. The support and the friendship, it’s a precious thing for anyone and maybe especially so for writers since we spend so much time alone.

So don’t think I’m against writing groups and do think that this precious envy is why I tried out this particular one that, frankly, I will never name. You can whistle for it, I ain’t squealing.

I just wondered then and was reminded by the piece I read recently about what it’s like just inside the bubble yet not inside the sanctum. I don’t think it can be a happy place. I picture one trying to get further inside, the way we all do in all social groups somehow, and that means accepting the rules, agreeing with them. I remember getting the sense that this group I tried was interviewing me for a position and not seeing at all that I was interviewing them back for whether I wanted to join. I remember thinking that fitting in with them would not mean improving my writing, it would mean learning to write the way they do.

I’m also not squealing about what piece it was that I read. So this is a one-sided argument but then I’m a man with a mouth and two blogs, I’m always one-sided arguing at you.

I just don’t call it being professional.

That was the narking thing. Calling yourself professional because you use the praise sandwich on someone. That tells me you think you have to use this softly-softly approach because the little writer needs help from you. It tells me that you think you’re right and they’re wrong. That you’re professional so you have to give them the six-inch sub and it’s not your fault if they’re so unprofessional that they can’t take it.

Be supportive, don’t be supportive. Criticise, don’t criticise. Praise, don’t praise. It’s completely up to you but don’t take a moral high ground simply by calling yourself professional. Don’t set yourself up as an excoriating critical group and then waste my time with a finger buffet of praise.

Writers need help and we need influence and we need criticism. I can’t point to any group I’ve ever tried that got me what I need but I can point to countless people who have. Some of them I’d call mentors, all of them I’d call friends now, every one of them I’d call professional. One of them phoned me up laughing down the line about how bad a scene I’d written was. He’s now sick of me using that as an example of a favourite moment in my writing but it is. He didn’t open by saying “Well, I think you typed this marvellously…”, he went straight in to the criticism. And he got me laughing about it too.

This wasn’t because I’m rhino-skinned and it was only partly because I am a professional writer, I am a writer by profession. It was more that I knew he and I would fix that scene, I knew that we both wanted the material to be the best it could be. I loved that he just could just laugh at me because I love that he knew he could. He wasn’t precious, I wasn’t precious, this was art but it was also a job and we got on with it.

So, please, I’m asking you, give me some credit for being a pro and do not use the praise sandwich on me. The praise sandwich is baloney.

UPDATE 12:10:
Writer and group-runner Andy Killeen has commented here yet WordPress is blocking a link he refers to. Here’s where he wanted you to go and now I’m off there myself to see whether he agrees with me or not. It’s going to be an interesting piece whichever way he stands.

Get up

The following takes place between smugness and embarrassment. Paragraphs happen in real time.

Listen, I have a thing. I have this accidental new gig talking about productivity – it’s a dull word but getting yourself more time to write or compose, it’s worth the odd dull word – and one crucially important aspect is to do with finding your best times to work. In an ideal world, with no day job or kids, there will be a time of day that just suits you the best. Maybe you’re a late night writer, for instance. You just are or you just aren’t.

My point is to look for that time, experiment around until you know when it is and then always do your best to keep that period clear. It’s simple and obvious enough, you get it.

Only, as an example, I generally tell people that I found my best time for writing is when I get up at 5am. The sole thing I stress and underline more than the fact that this is just an example, I am not recommending you do 5am too, is that I stress and underline and weep about how I loathe it. Getting up to write at 5am is all kinds of stupid and it is a damned curse that it’s when I happen to function the best. I would like put this functioning best capability to functioningly sleeping. And similarly, if you write best at midnight, I envy and applaud you. That’s when this should be done. That’s when real writing happens. Going to bed before midnight should be illegal.

But.

I’ve changed my mind.

Not about how stupid it is to get up at 5am and not one pixel about how stupid I am for doing it.

But it’s no longer just an example.

I’m afraid it’s a recommendation.

I fell off the productivity wagon a little while ago, coming off the back of a big book project. Plus I had a lot of evening speaking engagements and it was both crucial that I didn’t fall asleep in them and also knackering that I was doing them at all. Also, plus, and, lots of excuses. It has always been that the weekday 5am is inviolate except for when travel makes it impossible or other things in my schedule make it unwise.

Whatever the excuses and the number of excuses, the result was that I had a couple of weeks where it wasn’t practical to get up at 5am.

Yet I didn’t feel all that more rested and refreshed.

I felt rather bad, actually, and things were just not working out. A few rejections, a lot of very poor writing from me. I do a weekly email newsletter for my productivity site, The Blank Screen, and in it there is always a brief section that tells you what I’ve been writing lately. It is there to hopefully keep prodding you into doing your own writing, it is there to certainly prod me. And the last few have been feeble. Practically nothing going on. And so the newsletter that used to be a nice prod for me started to become a bit of a cattle prod in my side. Just for that section, I enjoy the newsletter. But lately not that section. (I’d like you to see the newsletter, it’s good. Do sign yourself up here.)

I don’t think I consciously connected the problems to the lack of 5am starts but about a week ago, I felt so overwhelmed with what was going on and what wasn’t being done, that I made myself get up at this stupid o’clock again. Not because it’s my best time but just that I needed the number of hours it gives you when you start that early and you don’t finish until late.

And since then I’ve pitched more successfully than I have in months. My new book is about 10,000 words further on. I thought of a new business, started it, announced it, got my first paying clients. We are now fully in the smugness section and I do apologise but there is embarrassment coming, honest. So yes, I can see I got up early and I can point to specific things that have gone well because of it. But I think the truth is that it’s me who has made them go well, not the clock. But the clock has got me some extra hours in the morning, it’s got them before the phones start ringing, it’s given me a head start every day and by 9am I feel I’ve done loads – because I’ve done loads.

So that’s it. It is 5am, Monday to Friday for me now, forever. Always.

Cue embarrassment.

Except today.

Last night I was at the Royal Television Society’s awards gala dinner in the Midlands and I think I must’ve passive drunk because my head is a jackhammer on a spin cycle. Also, I got to bed around 1am. And it’s going to be a late night with a lot of driving tonight. So yes, the excuses are back and I’m embarrassed. But I’ve got the buzz of the week’s work behind me, I’ve got a buzz from last night, actually, and I know that next week is going to be full of 5am starts so I am hoping that sheer momentum will carry me over today’s jackhammer lie-in.

I’d suggest we chat at 5am some time soon but we should be working, shouldn’t we?