Got it: an iPad app for transcribing interview recordings

Posted by William Gallagher

Excuse me while I do a spot of SEO: interview, interviewee, interviewing, interviewer, journalist, ipad, audio, sound, recording, transcribe, transcription.

There. Hopefully this means the next poor sod searching for this type of app can avoid spending the ENTIRE EVENING on the hunt. Here’s the thing. I have to be away from my office tomorrow but I have a very pressing job where I need to transcribe an interview I recorded some weeks ago. I hate transcribing with the same passion that EVERY SINGLE WRITER EVER does and I just wanted some help.

Specifically, I wanted an iPad version of Transcriptions, a freeware app for Mac that simply lets you play back audio while you type out what you hear. Missed a bit? Tap a keystroke and the audio scrubs back 5, 10, 15, 20 seconds. Nothing in all this land will make transcription fun but this helps. My great regret is that I didn’t discover it until I’d transcribed fully two thirds of the interviews I’d done for a Blake’s 7 book.

Now I just need that on iPad, please. You quickly start throwing your hopes out of the window when you can’t find something so I was reduced to thinking I’d have a notetaking app that just played back audio. A bit. Enough to save me having to skip back and forth between two apps.

It turns out that there are three types of application that get returned when you search for terms like “best ipad audio transcription” or “best iOS apps for journalists”. The first and most common search result is the transcription service. For various prices and with various different trial periods, you can record audio in the app and send it off to a human being somewhere to do your transcription job for you, for a fee.

Fine. Not what I want, but fine.

The second type of app does what I want but only to audio that you record with the app. Nice, fine, but useless to me with my existing recording.

How long has it taken you to read this far? Did you skim? Good for you. The answer is that the best option available is Notability for iPad. It costs £1.99 for iPad and iPhone together. It’s only £1.99 but it’s also a lesson to get good apps when they fall free, even if you don’t want them. I got Notability last May when Apple made it App of the Week. I downloaded it, tried it, saw why people liked it so but felt it wasn’t for me and I deleted it.

Now all these months on, I can just re-download it. And I did so after a couple of hours of trying everything else.

Notability is not perfect. But I can import the audio from Dropbox, I can play it back and there is a 10-second rewind button. I would like a way to skip back 10 seconds from the keyboard as reaching up to tap that button does break the flow of my typing.

But tomorrow I will be sitting in coffee houses alternating between transcribing interviews for a book and writing a script. I could do without the hell that is transcription but otherwise that sounds like a pretty good day to me.

Weekend read – especially for old radio hands

Posted by William Gallagher

My heart punched forward a beat at the sight of simply the name. Nagra. I started in BBC Radio and wore a groove into my shoulder carrying a portable Nagra tape recorder around. And I remember being shown the continuity suite in BBC Radio 4 where Nagras were used to play in clips because they were so quiet and moreover they started instantly. No lurching up to speed, just on, bang, go.

I am choked with nostalgia for this stuff and yet I never knew any of its history. Until now:

Stefan Kudelski didn’t set out to make a sound recorder. He was interested in robotics, and in the 1950s, one of the ways to create robotic memory was to use magnetic tape. As a student, working with that tape, he built a machine that doubled as a recorder. Nobody was interested in the robotics aspect of the project, he said later: “But people were very excited about the recorder that I created. So, I became a manufacturer of recorders. That’s how it started.”

This first recorder, the Nagra, was, in Kudelski’s words, “just a gadget.” The second was “very serious equipment.” But the third one, built in 1961, when Kudelski was 27, was “a good machine.”

The Sound Recorder That Changed Film – Sarah Laskownov, The Atlantic (28 November 2014)

Join me in reading the full piece.

My favourite OS X Yosemite feature… yet to be

Posted by William Gallagher

It’s not fair to say this to you yet because I’m only tried it exactly once and exactly one minute ago. But it didn’t entirely work and I can’t see why, so I want to explore it. And also, frankly, tease you.

This is the feature and this is the bit that is working: I can now make phone calls from my Mac. It uses my iPhone but that’s the thing, it uses it, I don’t. Scroll through my Contacts list and click or right click on any phone number anywhere – in an email, on a website, in an OmniFocus task – and I can dial it from there. It may ring using my phone but you don’t care and I don’t notice: the sound comes out of my Mac’s speakers and my voice is sent via the Mac’s microphone.

I found the call quality to be a bit crackly and the person I called – okay, it was my mother – had trouble hearing me but it did work and it was useful.

Except.

I realise now that I will use this for all my calls when I’m in my office because it’s just so handy but I did originally want to use it for recording interviews. And that’s the bit I can’t get to work yet. I use Rogue Amoeba’s Audio Hijack Pro a lot and it’s the obvious choice for this kind of thing but it isn’t working for me yet. I tried grabbing the audio from FaceTime, the application that the Mac uses to do these calls and got exactly nothing recorded. I tried switching to have Audio Hijack Pro grab my system audio – so every little bleep and whistle my Mac makes – and that did work except it audibly dropped the volume on the call so that now I was having trouble hearing my mother.

I wonder what we’ve both just agreed to.

So let’s consider the interview-recording to be a work in progress but, blimey, calling from your Mac. As with so many things, this is the way it should always have been – and so this is the way it will be. If you’re on a PC then thank you for reading this far but you’re going to get this Mac feature as soon as Microsoft finishes its cycle. That would be stage 1) deriding Apple, stage 2) claiming you could always do that anyway with a PC, stage 3) announcing it as a new feature and hoping you don’t notice Apple’s already done it, stage 4) eventually shipping the new feature and stage 5) eventually shipping a version that works.

Apps in use: Audio Hijack Pro

Posted by William Gallagher

I can't remember how long I have been using Rogue Amoeba's Audio Hijack Pro on my various Macs. It's long enough that I forget it's software, I just know it in my bones, and it's long enough that it's years since I noticed ow Rogue Amoeba is an unusual name.

I use it for clipping my and friends' radio appearances, I use it for recording Skype interview calls, I can't count how many things I've used it for and I'm frustrated that I'm so used to it that I can't remember a longer list of examples. But trust me, it's a favourite and it is indispensible – and today the Rogue Amoeba blog ran a little news story about uses of it that I didn't know and am immediately nicking:

Real World Usage: Podcasting With Audio Hijack Pro

Our audio recorder Audio Hijack Pro has long been a favorite tool among podcasters. Whether you want to record a conversation from Skype, or just your own microphone, Audio Hijack Pro can help you get your podcast going. As the podcast world has grown, we’ve been thrilled to see our app used by thousand of podcasters in the past decade.

One podcaster making great use of Audio Hijack Pro is Dave Hamilton, who might just know more about the app than we do! Recently, he started dishing out some tasty knowledge. First up is a video on sending multiple audio sources over Skype, using Audio Hijack Pro and Soundflower. Next, Dave had a clever trick for creating a noise gate on your Mac, to record only when audio reaches a certain level.

Seasoned veterans of Audio Hijack Pro may already know about these tricks, but if not, check them out. And of course if you’re new to the app, you can always download a free trial of Audio Hijack Pro to try it out.

Rogue Amoeba blog

Take a read of the full piece, look at the videos and add Audio Hijack Pro to your Mac.

Productivity lessons from Blake’s 7

Posted by William Gallagher

In fact this came from Blake himself: Gareth Thomas suggested I do this when I was interviewing him for a forthcoming book about the BBC science fiction series.

Actually, full disclosure, it was more that he couldn’t fathom why I was such an eejit that I wasn’t already doing it.

It’s just this: put your phone calls on speakerphone and tape them.

For all that I said yesterday about finding it hard to make certain types of calls, I have made a fairly constant stream of them throughout my writing and especially journalism careers. With Gareth, I really wanted to phone him over Skype so that I could record the call on my Mac. But he wanted to phone me instead.

I do loathe costing my interviewees any money, I don’t see why they should pay for the call or go out of their way for me, but Gareth couldn’t do anything else. He was on tour in a play and fitting me in on a Saturday morning; he might be able to predict what town he’d be in but there was no way to give me a phone number to ring. I would of course have accepted a mobile number, very happily, but mobile to Skype to Mac has proved tricky before. More than one interviewee has said I sound like I’m in a barrel down a mineshaft.

So I’m genuinely mithered over what to do in order to record the interview. I have to record it. Have to. I’m not going to get a huge amount of time with him and he is somewhat vital to the book, I need to make the most of the chat.

I’ve never actually met Gareth Thomas, I’ve just now done two phoner interviews with him over the years. But even in those short times, I can tell you that he is as charming and funny and interesting as you would expect. Yet I swear I could feel him thinking the word ‘eejit’ before he explained to me that I didn’t need to route the call through my Mac to record it.

Ever get the feeling you’ve been doing something wrong for twenty years? So that happened.

I recorded that man three ways from hell. I rang him on my landline, had my iPhone and my iPad recording the sound from the speaker and I even got my Mac to do it too.

And that’s the productivity lesson: use your Mac or presumably your PC to record calls. You can’t just record anything, it has to be with permission and agreement like I had there with Gareth and a book interview, but you can record anything – in that anything that makes a sound, you can record.

Since that interview, I’ve recorded many calls. Lots of interviews, naturally, but also phone meetings or conversations where I’ve really needed to find out a lot of things and there isn’t much time.

I don’t know how you do this on a PC, though I imagine it’s part of Windows Media Player, but on a Mac you just launch QuickTime Player. Doubtlessly because of its name, few people realise that this Player also records. It can record anything that happens on your screen – so it’s ideal for showing someone how to do something – or it will record your face through your Mac’s camera. Or it will simply record audio.

Choose that, hit the record button. Here’s a second productivity tip, this time discovered by me without the aid of Roj Blake, fictional freedom fighter: identify yourself for the recording. I say my name, the date, the time and who I’ve agreed to record. You don’t think you’ll do this all that often but over the last six months I’ve gathered up a stock of maybe fifteen such calls and being able to identify them in the first few seconds of playback is a godsend.

Especially since QuickTime Player confuses me continually. Once you record something, it is there as an untitled document. Close it and it will ask you for a name to save it under. Or you can just save it and then close it. I say this to you and I cannot see what is so hard. Yet I regularly end up wondering whether I’m going to save or accidentally delete the recording. And I postpone worrying about it by leaving them all there.

So I’ve currently got about seven Untitled phone recordings on my Mac.

I promise to sort through them.

One more productivity tip, this time from my years producing UK DVD Review. That was a podcast from 2005-2010 which I’m proud to say peaked in the top ten of all podcasts, of all genres, across the entire world. I think there were only 11 podcasts then. But I learnt this. If you’re recording a lot, I mean for a long time and maybe just doing a few calls one after another, clap your hands.

I clap three times before the start of a long recording. Interviewees think I am strange. But they suspected that anyway.

This is pointless if it’s just a quick call and even with the much longer one I did with Gareth, it was straightforward: I just transcribed it afterwards from start to finish. Often, though, I will have such a long recording that I need to find parts of it quickly. Usually that’s the start of the next interview. When I was doing this for broadcast, it would be to find the next take or the next section.

These are all things that I would tend to listen to in a proper audio editor instead of just through QuickTime Player. (You don’t have to launch QuickTime Player to listen back to a recording: just find it on your Mac and tap your spacebar. It’s gorgeous how fast that is when you have a lot to look through.) With a proper audio editor, you get wave forms.

And with waveforms, the clap is really distinctive. You get three massive spikes in a row and you can just skip straight to that.

So. With permission, record your interviews or other detailed calls. Do it simply on your computer, label everything, and clap yourself if you’ve done a good job.