Time and place

Go back. Go back to where you once belonged. It’s fantastic.

I’m heading to the Writers’ Toolkit event and have found myself walking by a place I worked at twenty years ago. It was Apricot Computers on Vincent Drive – I wrote manuals for them – and it’s now something to do with Birmingham University. The odds that any of this could mean anything to you are zero.

But it means a lot to me. I look at this building and even at that road sign and the first rushing feeling I get is that I knew nothing when I was there. Which must mean I know something now. That’s rather a good feeling. I’m not used to that.

Part of it is the surprise of coming across this place so unexpectedly. That’s definitely a big part of it.

You can’t really manufacture surprise, though. Not about a building. But I also get and clearly recognise that I get a similar thing every time I work at the Library of Birmingham.

It’s new and most of this is the coincidence of it being recently opened. I loved the old Central Library but I associate it with all the research work I did there for Radio Times.

Central Library was where I worked for someone else. And now I work so much and so often at the Library of Birmingham yet every time it is for me. It’s for my business.

I’ve been freelance since the 1990s so I shouldn’t just be feeling this now. But I am. And it’s because of the places I go and the times I went there before.

And the times I had there too.

Go back, okay? Take a look at your old places and take a look at yourself there. It’s pretty good.

You just tell yourself you’re entitled

Generally considered a negative trait, entitlement, in small doses, can actually have the positive effect of boosting creativity, according to a new study to be published in the Journal of Experimental Social Psychology.

Various studies have found that those who feel entitled are less likely to help others or apologize and are more likely to want special privileges, break rules, treat their romantic partners selfishly and make unethical decisions.

Entitlement boosts creativity – Jim Patterson, Vanderbilt (18 November 2014)

Read the full piece.

Via 99u

So it’s been done before, so what?

I wish I thought that. I’ve a project now that I want to do more than anything but it has been done somewhere else before and that is killing me. One of the people backing me points out that it’s also been done in Paris and Vienna and doubtlessly America too so it’s not like I’d be stealing from this particular somewhere else.

You know how when something is on your mind, it’s like the world or at least the internet seems to gather relevant stuff and throw it at you? Usually when you’re trying to avoid thinking about it. But sometimes when you need it too. So today I found this:

Just about every successful initiative and project starts from a place of replication. The chances of being fundamentally out of the box over the top omg original are close to being zero.

A better question to ask is, “have you ever done this before?” Or perhaps, “are the people you are seeking to serve going to be bored by this?”

Originality is local. The internet destroys, at some level, the idea of local, so sure, if we look hard enough we’ll find that turn of a phrase or that unique concept or that app, somewhere else.

But no one is asking you to be original. We’re asking you to be generous and brave and to matter. We’re asking you to step up and take responsibility for the work you do, and to add more value than a mere cut and paste. Give credit, definitely, but reject vemödalen.

Of Course It’s Been Done Before – Seth Godin (18 November 2014)

Find out a touch more – including what vemödalen means – in the full piece.

The Writers’ Toolkit today in Birmingham

This isn’t productivity and if I were being productive I’d have told you about it sooner. But the annual Writers’ Toolkit event is on in Birmingham today and I’m there all day. Here are the details of the event.

I’ve produced one panel for the Writers’ Guild – and will be there all day representing the Guild so look for me at the stand, would you? – which I’m particularly keen to see. The Job Lot’s Stuart Lane and film writer Andrea Gibb are talking about Writing for the Screen at 10:45.

But then I’m also speaking on another panel about being a non-fiction writer and I’m getting to chair a discussion about how writers can, should and do use the internet.

It’s always a good day and I’d be going even if I weren’t working. But I might have got to sleep in a bit more if I were just strolling up to enjoy it all.

See you there?

We should write trailers

The film trailer is a work of art. Sometimes. Maybe often. Not really always. For every trailer that is genuinely better than the movie it’s trailing, there are clunkers. I don’t want to suggest that we should write trailer moments into our scripts but I wish we could edit the footage.

I think about this a lot because I do video editing and it feels to me like writing. It’s very much the final edit and the bits of my brain that I use at Final Cut Pro X are the same ones I use when writing.

Which is partly why I just find trailers so fascinating. And this comes up today because of Star Wars. I’m not a big fan but I remember the shivery anticipation when the trailer started for The Phantom Menace. How did that work out again? It’s also interesting because originally that trailer went out online on some crappy PC-based postage stamp thing and it was Apple’s QuickTime engineers who lobbied to do it properly. When they did and it worked out so well, that was really the start for high quality trailers.

Well. That’s high as in the video quality. Have a look at this collection of the trailers for all the Star Wars movies, including the new one. I’m surprised to say I think The Phantom Menace looks the best. I’m appalled to say how ferociously bad most of these are.

Watch the lot on The Verge

More Black Friday software details

So this is the year that Black Friday hit the UK. It’s a thing now. But here’s a benefit of the whole shebang: more cheap software. MacLife has a bigger list than I’d seen before and it includes many I’d recommend:

Well, the big Black Friday sale day is upon us. If you’ve been out this morning beating back hordes for physical bargains on flat screen TVs and whatnot, this will come as a welcome respite. Cheap prices and no lines, no shortages, no riots. And if you skip the whole retailer madness on principal or for other reasons, you can still grab some sweet deals right here still.

Price Drop Black Friday Edition: The Weekend’s Best App Deals, November 28 | Mac|Life

Read the full piece.

Weekend read – especially for old radio hands

My heart punched forward a beat at the sight of simply the name. Nagra. I started in BBC Radio and wore a groove into my shoulder carrying a portable Nagra tape recorder around. And I remember being shown the continuity suite in BBC Radio 4 where Nagras were used to play in clips because they were so quiet and moreover they started instantly. No lurching up to speed, just on, bang, go.

I am choked with nostalgia for this stuff and yet I never knew any of its history. Until now:

Stefan Kudelski didn’t set out to make a sound recorder. He was interested in robotics, and in the 1950s, one of the ways to create robotic memory was to use magnetic tape. As a student, working with that tape, he built a machine that doubled as a recorder. Nobody was interested in the robotics aspect of the project, he said later: “But people were very excited about the recorder that I created. So, I became a manufacturer of recorders. That’s how it started.”

This first recorder, the Nagra, was, in Kudelski’s words, “just a gadget.” The second was “very serious equipment.” But the third one, built in 1961, when Kudelski was 27, was “a good machine.”

The Sound Recorder That Changed Film – Sarah Laskownov, The Atlantic (28 November 2014)

Join me in reading the full piece.

Don’t be happy, worry

From a Brain Pickings piece on how trying to be happy all the time is bad for our creativity.

To be clear, I myself am deeply opposed to the Tortured Genius myth of creativity. But I am also of the firm conviction that access to the full spectrum of human experience and the whole psychoemotional range of our inner lives — high and low, light and darkness — is what makes us complete individuals and enables us to create rich, dimensional, meaningful wo

In Praise of Melancholy and How It Enriches Our Capacity for Creativity – Maria Popova, Brain Pickings (28 November 2014)

Read the full piece.

Writers’ Notes: when you can and when you can’t link to someone

Easy. You always can. The end.

By chance, I’ve had several conversations this week with people who either wanted to link to my blog or were asking what I thought of them linking to others. Link away, I said. Always. There’s no permission needed and no endorsement implied.

At least, there isn’t from the site or person you’re linking to. If I were to tell you that Brain Pickings is the most amazingly absorbing site I read – which it is, by the way – then I believe I am actually beholden to give you a link. I don’t have to ask the site’s owner Maria Popova and my linking to her site doesn’t mean she’s happy for me to. It doesn’t mean she even knows about me.

It just means that I am sending you on your way. I have a thing: I can’t write anything online without including a link to take you somewhere else more interesting afterwards. I feel that is my duty and also that if I do it, I’ve earned a bit of your time to do some things with and for you.

The site owner you’re linking to do does find out, by the way. They have to look at their traffic but they can and so if a tonne of people click through you to them, they’ll know about it.

And what are they going to do? Multiple choice answer: a) be pleased, 2) be very pleased or iii) one of the above. I suppose if the Ferguson police force linked to me I might be a bit irked but they never will and nobody would click through there to me if they did.

So link away. You’re doing a service and I think this is actually part of the bedrock of the web, that we share sites amongst ourselves.

In this week’s newsletter… November 28, 2014

What to do when you get things wrong. Say so. Right away. Such as me, for instance, I got a big thing wrong and I admit it right at the top of this week’s newsletter.

Sorry? A man getting something wrong – and admitting it? Songs will be sung of this day.

Also, a couple of Black Friday deals that shouldn’t really happen in the UK but do plus a terribly absorbing video summarising Steve Jobs’ advice about business. Recorded the day after he died, it’s a speech by Guy Kawasaki who abandoned whatever regular talk he was supposed to give and instead talked about Jobs. It’s very Apple-centric as you’d imagine but each word is useful for us whatever our work is.

Plus, it has a comparatively off-the-cuff feel about it so rather than a studied presentation, it feels like a chat.

All that in the newsletter which you can read here and then sign up to get your own copy each week.