Long ago when I worked at BBC Radio WM in Pebble Mill, the sports department had a shelf of highlights on. Large spools of reel to reel tape with the recordings of famous local sporting events.

Only, I can picture that shelf now and I can remember being in that newsroom, looking at the reels and thinking well, er, no. These are not recordings of sports events.

They were recordings of radio presenters commentating on these events instead.

I’m not knocking the commentators, I’m in no way knocking the reasons for keeping the archive. It’s just that although it’s a slight difference, the tapes were regarded as the events themselves, not as the radio station’s commentary.

There’s something in that disconnection that I’ve been reminded of by all the writing about Donald Trump and Brexit. I keep hearing the phrase “you couldn’t make it up” and actually, yeah, you could. I think by now your audience would be a bit bored. They’d want some new characters, they’d be thinking we’ve got antagonists up our armpits, we need someone to be the hero. Anyone. Please.

I think the thing is that you wouldn’t make it up this badly. No matter whether you were commentating on events or especially if you are the poor sod who’s going to make a TV drama about all this one day, your very medium imposes certain things.

Commentators expect to be able to draw on previous statistics. TV drama writers inescapably want light and shade, they want pacing, they want to build to a conclusion.

None of that is available to us. It’s all dark, it’s all unrelenting and statistics are now alternative facts.

Hopefully this is just me but I can’t dramatise what’s going on. It makes me want to go write something else, to write about something or to create something that I can fashion, that I can explore, that I can convey something through.

We have the most visibly, publicly, proudly illiterate people in power that we may ever have had. Yet they are defying writers to comprehend them, they are controlling the disarray we’re in.

Maybe it will ultimately be good. Maybe this will shake us out of habits and patterns that we are used to, maybe it will make us – okay, me – writer better and deeper.

I don’t know about me and what I can do. But I do see journalism trying to fight back and I do see the writers of Saturday Night Live being on their best form in two decades because of it.

Maybe what I’ve been doing is trying to use writing to help me understand. Maybe I’ve been focused on the commentator’s tapes and really what I should do is go to the event.