Earlier this week I was working on a friend’s book: part proofreading, part commenting, part editing. It was a joy because the book is just so very, very good. But it’s also a joy because it’s her first one and yet it’s got none of the stilted caution of a new writer. It’s got none of the hesitancy.
It does have some of the padding, but you can fix that.
What this writer has is the benefit of knowing her subject extremely well and having run workshops on it. At her best, this isn’t text on a page, it’s her talking to you, working with you, just as I presume she does in workshops.
Actually it’s a business non-fiction title and I first met her because she was advising me on aspects of my work. So sometimes I’ll be reading a section and I can see her as she was a couple of years ago, sitting opposite me across a coffee shop table and telling me these same things.
When you and I are done talking today, I’m off to have a coffee with her again and to enthuse about her book.
But there is something else I’ll do. There’s something else I’ve realised. This skill of writing like you’re talking is superb but it also has to be a con. You must look like you’re doing it, you must look like this is all flowing naturally and conversationally, when really it isn’t.
Really it needs to be structured. It can’t actually be like speech because when we talk to someone, our sentences run on for hours. Those sentences make complete sense but when they’re written down, they lose that and become long or confusing.
I’m telling you what I think you already know and I’m telling myself what I think I’ve long realised but working on this book brought it back to me very strongly. This writer has more verve and skill than I did in my first writings and I hope I’ll convey that to her. Because the next step of moving from conversational to only apparently conversational is going to take a lot of work.
She can do it or I wouldn’t be saying this to you before going to meet her.
Plus I’ve already told her the truth by text. “You know how people give you criticism in shit sandwiches?” I texted her. “This book is two slices of excellent with a filling of superb.”
I utterly relished doing this work and I am so looking forward to talking to her about it. I’m just also conscious that I’ve made about seven hundred comments on the manuscript. I think I’ll talk a lot before I show her that bit.