Fighting for the Corrs

I’ve been planning out a workshop I’m due to run in February about software for writers. Easy, I thought: Scrivener, OmniOutliner, Evernote, Drafts – oh. Slight problem. Most of the people coming are PC users so that’s Drafts and OmniOutliner out. And they’ve just had a workshop specifically about Scrivener.

I’ve got about six weeks to come up with this workshop and I’ve already changed it a dozen times in my head but right now what I’m thinking is this. I’ll take these people through the typical stages of writing anything, from first scratches of an idea, through research if any, through false starts if many, and on to the rest. Writing, editing, revising, rewriting and what you need to do when getting that text to publishers or editors or whatever.

And along the way, I’ll show them how there are types of software that can help. So for instance, toward the start I’ll cover mind mapping tools that help some people capture chaotic ideas. I’ll find them a couple of Windows mind mapping tools but I don’t see any problem with demonstrating the idea using a Mac and iPad one that I genuinely use often. (That’s called MindNode and I just this week wrote a review of the latest version for AppleInsider.)

I think this will work and I think it could even be very good, which is nice for me and unlikely to be nice for you as you’re not invited. Sorry about that. But in noodling through this all week, I’ve realised that I will definitely also include ways of capturing those fleeting ideas you know have potential but you can’t use them in whatever you’re writing now.

You’ve got your own system for doing this and I bet you forget things just as much as I do. But in my case I’m going to use the fact that apps work well in combination. So, for instance, there’s a great iPhone and iPad tool called Drafts. It’s a bare-bone app for writing in but what it does that’s so good is that it is ready immediately. Tap the app, start writing: no having to choose New Document or pick a template, just open and write.

When you put the phone down and immediately think of something else, pick it up again and start writing again. Drafts gives you a blank new page every time, right away.

But it also lets you take action on things and the one thing I do is this. When I’ve written something in the dead of night that I foolishly think will be both useful and coherent tomorrow, I tap a button in Drafts that I’ve called Story Ideas. Then before my head has fallen back onto the pillow, Drafts has taken that new text and appended it to the end of a very, very, very long Evernote entry where I collect all of these things.

The point is to be fast at writing them down before they’re gone and the point is to then always know exactly where to go to read these ideas again.

That’s where I fall down: I never remember to look at the Story Ideas note.

Or I didn’t.

I looked this morning, while pondering whether to tell you all this stuff about a workshop you can’t go to, and I am astonished at how many notes and thoughts there are in this Evernote pile. Since 05:50 on 3/11/2013 – Drafts dates each entry – I’ve got 12,842 words of ideas.

I can’t say that they’re good. For instance, I’ve just found from 09:28 on 19/6/2014 the words: “Write about a tree”.

But then there’s this from 18:45:27 on 5/7/14: “Steve hates time travel. He had a bad experience when he was a kid and an old man.” I think that led to a short story two years later. Certainly it was part of the thinking so I like that.

Or I like this more than I should. At 01:53:41 (why are some times to the millisecond and others aren’t?) on 25/9/14 I just wrote: “You don’t know whether you fancy her or want to be her.” And now look at this script extract from two months ago:

INT. LONDON RESTAURANT BAR – EVENING
The group is waiting in a bar. There are large TV screens tuned to sports and news channels.

Susan Hare is in an evening dress and, God, she looks superb. You’re not sure if you fancy her or want to be her. You are sure that this is someone rich, talented and leading a charmed life. You’d be wrong, but you’d be sure.

That’s from a script called Vows which has been doing remarkably well for me this year. Without looking in my Story Ideas notes, without remembering that I’d had this thought before, writing it down in Drafts and sending to Evernote lodged it in my head enough to come out three years later when I needed it.

So somewhere around 2020, then, I expect to be writing a script or an article about how words change and events get forgotten. I expect to be writing a story in which some student in the future pays little attention to a lecture on the Troubles in Northern Ireland and thinks it’s about music from the era.

Thank you for letting me find a place to use one of the more silly ideas I’ve got recorded in this thing.

Sticking to type

Earlier this week I needed to get a photograph of a keyboard for a colleague on a project. Easy, I said, do you want a shot of the two I carry in my bag or of the three on my desk?

Easy, they said right back, you’re scaring us now and we’re just going to be over here, phoning other writers and a few medical experts.


Look, I can make my keyboard obsession seem perfectly normal and healthy if you’ll just let me tell you two things. One is that, excuse me, plenty of writers through the years have fixated on their 2B pencils or expensive fountain pens, I’m just ahead of the technology curve.

Okay. That didn’t work. Fine. This will. I can make the keyboard stuff seem perfectly sensible by blowing it out of the water with something worse.

For by coincidence, someone else asked me two days ago what I write in. I like her so I should’ve just said “English” rather than being boring for an hour but, pretend to be shocked, I chose the boring option. For an hour I answered that I write in Microsoft Word. And Apple Pages. Scrivener. Ulysses, Final Draft. Evernote. Apple Notes. Drafts 4. OmniOutliner. DEVONthink.

I’ve weaned myself off also using Simplenote. I never quite got into Bear Notes, Typed, Vesper, BBEdit, MarsEdit or the various flavours of WordPress but there’s still time. Ooooh, also Slack.

What I don’t understand is how I use all of these apps every day and for whatever it is that I’m writing. Without thinking, I automatically know which one I’m going to work in. That’s a bit bleedin’ obvious when I’m writing scripts because that’s what Final Draft is for – except, mind you, Scrivener is good for scriptwriting and some places I write for are less fussed about formatting and more fussed that you must deliver in Word.

So, yeah, occasionally I can’t find a piece of work because I don’t remember which app I wrote it in, but that’s just normal, everyday sane first-world problems.

What I very much don’t understand, though, is how writing can physically feel so different in each of these apps, on each of my dozen current projects. In every case I’m typing on the same keyboards into the same machines, iPad, iPhone and Mac, but they feel different. Seriously. Also, when I’ve been writing in Ulysses for iPad using an external keyboard and then go to use Scrivener for Mac with a very similar external keyboard, my fingers react differently.

A pianist I know says she finds the same thing when she goes between a Church organ and a regular piano.

I can understand that for her yet can’t explain that great difference I find where there surely can’t be any. It’s as well that I’m not fussed about justifying it as I can’t. And you may have been looking at me funny for the last couple of minutes but I’ve been thinking about this stuff for years.

Which is why there is one thing that I do understand about my fussing over keyboards and about my constant search for the next thing to write in.

It’s because that’s a damn sight easier than searching for the next thing to write.

That’s what I should’ve told my what-do-you-write-in friend: I write in the tiny amounts of time between my having been able to successfully distract myself.

She was asking, incidentally, because she’s been using Word and knows there are alternatives. I showed her all the ones on the iPad I had with her and some appealed, some didn’t, but we talked about what she wanted and ended up agreeing that Word is fine for her. It’s fine enough and she knows it well so she’ll stick with that.

So apparently I can cut through the crap when it’s someone else’s writing, I can see clearly what they need and how they’re just postponing writing. I can see that just making any decision about an app or a keyboard is better for everybody.

Except me. I’ll definitely crack on with this collection of Time stories I’m writing, though I’ll just wait until the new update to OmniOutliner for iPad is out.