Previously on Self Distract… my BBC Radio 4 play died. I didn’t tell you much more than that, partly because I was trying to be brave – I know it didn’t look like it, but you should’ve seen me when the news broke – but also because I just can’t tell you very much at all.
Nonetheless, I’ve been emailed and messaged a lot about what I did say, which just convinces me all the more that you talk about you and me to everyone. As it turns out, too, what everyone wanted to ask was the same:
1) Did I have a commission?
2) Can I use the play in some other way?
Yes, no,
I had the commission, we were in fact due to be recording the play next Thursday and it was going to be on BBC Radio 4 on June 7th. I had a small but all-star cast, an astounding cast, a really amazing cast.
But it died before we could get to record it. +
Anyway.
I have also had three pieces of good advice that I want to tell you in case they’re of use to you as well.
The very first good advice I got was when I was asked “so what are you writing today?” As in yep, the play is deep-friend toast and it ain’t ever coming back, but what are you writing now? That was pretty good.
Second, strip the play for parts. That’s not as possible as you’d think and yet actually, I’m frustratingly pleased with that. I believe the play would have sounded light and relaxed on the radio, but the more you poke at it, the more tightly wrapped it all is. Unstitch this bit at the start and that bit at the end falls apart.
I think that’s great writing, I can’t believe I pulled it off. But it does also mean that for the moment, I think there may be just one single exchange of dialogue that can be lifted out and that can just about work on its own.
But yes, damn right, I’m having that. Not one single clue where, but I’m having that.
And the last thing, which is possibly my favourite. Writer Gail Renard told me to subtly alter the names of people who killed the play, and then put them in a bloody murder story.
As I say this to you, I realise I’m not sure if bloody meant gory or just, you know, very. And I presume she meant a murder story, as in fiction, not a murder as in a newspaper story.
Probably best to check that.