routine

How a routine stops you becoming routine

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I’m afraid I know nothing about comic books so I’d not heard of this guy, but Joe Keatinge is apparently a star in this world and demonstrably interesting about being productive, creative and freelance:

I didn’t [have a daily routine] when I initially went freelance and largely floundered because of it. That said, if I can pass on anything to anybody, developing a routine has helped me immensely and greatly increased productivity. It’s also something I’ve recently greatly reworked to huge benefit and something I’m still getting used to, but here’s the gist of what I strive toward.

Monday through Friday I strive to be up no later than 7:30 AM, eat breakfast, drink coffee, achieve basic sustenance for my morning, but that’s it — I don’t look at my phone, at Twitter, at e-mail, not a damn thing. I used to do that and fall into the trap of screwing around when I should be working. Even the smallest diversion can take longer time to recover from than the actual distraction itself was so I’ve learned to keep them out of the way as much as I can.

That said, I’ve found if I immediately write ANYTHING immediately, I can achieve a lot later in the day, so at this point I do just that. Sometimes I immediately jump into a page, sometimes it’s just free form writing, sometimes its something I’m on a deadline on, sometimes it’s something no one will ever see, but it is something. And in writing anything I find my brain gets going and it keeps me on track for the rest of the day, even if I get distracted later on.

Creative Spaces: Joe Keatinge – Kevin Knight, EatGeekPlay.com (17 September 2014)

There are a couple of examples of his work in the piece and they are anything but routine. But he says he’s learnt to build structure into his day both for the sake of himself and for the sake of his art. Read the full piece.

See? Nobody has a writing process

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Well, maybe that’s putting it strongly. But earlier in the week I mentioned how one writer I know has been trying to find her own process, to find how she works best. And how then by chance another writer I know blogged about how there is no such thing as one process that we can all adopt.

That friend, Ken Armstrong, refers to how there is a belief that creative people must work to a certain pattern yet he doesn’t agree with that. Now Casey N Cep of Pacific Standard says of this that:

Charles Dickens wrote while blindfolded. Virginia Woolf took three baths a day, and always with ice-cold water. Stephen King eats a blood orange at every meal whenever he is working on a book. Joyce Carol Oates writes only in Comic Sans.

None of those things is true. Before you go and stock your kitchen with blood oranges or switch the font on your word processor, let me assure you that I invented every one of those writerly habits. But what if I hadn’t? What if you had read them in an interview or in any one of the million aggregations of writerly routines? Would you really stop taking hot showers or start blindfolding yourself when you write?

The Myth of the Artist’s Creative Routine

Yes.

I’d do anything.

In particular, I would do anything rather than write. Hot showers balancing an orange on your throat? Easier than writing. Give me a list of habits I must adopt and I’m happy.

The idea that any one of these habits can be isolated from the entirety of the writer’s life and made into a template for the rest of us is nonsense. What none of these lists tell you is that sometimes these highly creative people weren’t waking so early on their own, but were woken by domestic servants. Or that some of these highly productive writers also had spouses or children or assistants enlisted in the effort. Or that often the leisurely patterns of drafting and revising were possible only because generous familial support made the financial demands of everyday life irrelevant.

Read the full piece for more.