{"id":203,"date":"2008-05-25T19:19:00","date_gmt":"2008-05-25T19:19:00","guid":{"rendered":"http:\/\/theblankscreen.co.uk\/selfdistract\/2008\/05\/25\/anoraks-in-aisle-9\/"},"modified":"2008-05-25T19:19:00","modified_gmt":"2008-05-25T19:19:00","slug":"anoraks-in-aisle-9","status":"publish","type":"post","link":"http:\/\/williamgallagher.com\/selfdistract\/2008\/05\/25\/anoraks-in-aisle-9\/","title":{"rendered":"Anoraks in aisle 9"},"content":{"rendered":"<p>Years ago, I had lunch with people selling geographic information systems and to the terror of their PR agent, they showed me how to make their software go wrong. I think they were pleased I knew what they were talking about: they had been used to selling to corporations, now they were aiming at the PC market and few of the journalists they&#8217;d met were all that interested. Even fewer knew about projections, I was the only one who would defend Mercator&#8217;s system.<\/p>\n<p>(Rant. I still will. Don&#8217;t you knock Geradus Mercator in front of me. His way of translating a globe into a flat map is a working one: he wasn&#8217;t pratting about settling political scores, he was getting ships to go where they were pointed. \/Rant.)<\/p>\n<p>So these people saw a fellow cartography fan in me and we had a ball. Shortly afterwards, the feature I wrote about them and various other GIS manufacturers got me a nomination for Magazine Writer of the Year at the PPA Awards. (I lost to a dog columnist in Bitch monthly. Quite seriously.)<\/p>\n<p>I just relish the artistry in maps: the choice of what you show, what you don&#8217;t. The way a map tells you as much about its artist and his or her society as it does about the lands it depicts. The lands it depicts: the far-distant shores, the pin-sharp accuracy of Ordnance Survey and the wild imagination of mappa mundi. Actually, also the imagination of Ordnance Survey: the way acres of military property will be marked &#8220;lake&#8221; or something. Shouldn&#8217;t the OS mark ordnance when it finds it? I&#8217;d think that was a contractual obligation.<\/p>\n<p>Anyway, I bring this up now because I wish to complain and I promise that there is no one but you I can tell in all this land. Here&#8217;s the thing. My local hypermarket, a very big Sainsbury&#8217;s, has been remodelling for six months: every time I go, and I go an awful lot lately, they&#8217;ve moved things. Now it&#8217;s finally finished, it&#8217;s all very good, but it&#8217;s big and different so they have maps up.<\/p>\n<p>They have maps, I have an iPhone that lets me blog here live from the freezer section, can you see where this is going yet? <\/p>\n<p>I photographed the map with my iPhone. I wasn&#8217;t planning to show it to you, or to anybody really. But standing there in aisle 9, I had no problem with people staring as I tapped the screen to zoom in on Light Bulbs, aisle 27.<\/p>\n<p>Only, the map lies.<\/p>\n<p>I put my social standing on the line for that map, and it lies.<\/p>\n<p>There are no light bulbs in aisle 27. And I may be a man, but still I can ask questions: the staff directed me back toward aisles 3 through 7.<\/p>\n<p>Maps exaggerate the prominence of enemy territory in wartime. They suggest safe passage where no such thing exists. It&#8217;s through mapping we get gerrymandering &#8211; how did Gerry Mander get both his names remembered? &#8211; and it&#8217;s through maps that we can see society change over centuries.<\/p>\n<p>But we can&#8217;t find light bulbs in Sainsbury&#8217;s.<\/p>\n<p>All that J Sainsbury money, all that Sainsbury graphic design, all that Sainsbury lying.<\/p>\n<p>Hang on. I&#8217;m in Asda.<\/p>\n<p>William<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Years ago, I had lunch with people selling geographic information systems and to the terror of their PR agent, they &hellip; <a href=\"http:\/\/williamgallagher.com\/selfdistract\/2008\/05\/25\/anoraks-in-aisle-9\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-203","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4chyI-3h","_links":{"self":[{"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/posts\/203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/comments?post=203"}],"version-history":[{"count":0,"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/posts\/203\/revisions"}],"wp:attachment":[{"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/media?parent=203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/categories?post=203"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/williamgallagher.com\/selfdistract\/wp-json\/wp\/v2\/tags?post=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}