This speaks to the heart of all criticism, all reviews, all opinions, but I’m really only saying it because I was narked. Angela and I saw Mission: Impossible Rogue Nation last weekend and on our drive home, a review of it happened to be on the radio. We listened for a moment and Angela concluded: “We must’ve seen a different film”.<\/p>\n
I like the Mission: Impossible movies \u2013 with the contractual, mandatory, must-tell-you proviso that the first one is the best, the second is the worst, the third is okay and these last two are pretty good \u2013 but I wouldn’t have claimed they were superb pieces of cinema. It wouldn’t have occurred to me to consider thinking of maybe claiming or not claiming that: I really enjoyed Rogue Nation and that’s a great thing. <\/p>\n
Except for this reviewer. I won’t name her partly because we came in late and I’ve no idea what her name is. But she said at one point she’d been begging Tom Cruise to not do a particular thing in the story, the implication being that it was a preposterous take-you-out-of-the-story moment. (Have you seen the movie? She’s talking about the flute.) What she didn’t want to happen and was so adamant should not have happened, that it shouldn’t have been in the film, that was a ridiculous moment, is a moment that was coming for a good six minutes. We knew this, we watched it happen, it was going to happen, so the fact that it did happen didn’t feel all that preposterous a moment.<\/p>\n
Plus, I’ll tell you this: I love thrillers (and romances but that’s another story) and there are sometimes moments in them I wish I’d written. What happens next with that flute is one of them. Your lead character is faced with a supremely clear and obvious dilemma to which there is no right answer, no good way to choose between two urgent options. So he finds a third way. A third way that leaves you blinking yet is then instantly supremely clearly the right and sole solution. It’s a tiny moment and I’ve already over-egged it too much. But where this reviewer was taken out of the movie for what she thought were silly reasons, I was taken out of it a heartbeat later for the writer in me applauding.<\/p>\n
Only.<\/p>\n
This is a bit rubbish of me, picking on a reviewer I don’t name and you can’t listen to unless I do. I’m going to live with that because her second criticism led me to realise there is something genuinely very praiseworthy about this latest Mission: Impossible. There’s a new character Ilsa, played by Rebecca Ferguson. My unnamed reviewer dismissed her, saying her character wafts in and out of the movie occasionally.<\/p>\n
Bollocks.<\/p>\n
This is a female guest lead character in an action series and she is superb. She’s not there to sleep with the hero. She’s not there just to be rescued by him. She is a storm. You want to trust her but you know, correctly, that you shouldn’t. She makes surprising choices that work completely in retrospect, she is a dangerous storm and is riveting.<\/p>\n
My unnamed reviewer didn’t like the movie and I did. Ultimately any review comes down to that but I’m struck by how much I want to defend a film I had nothing to do with. I’m thinking this is cutting deep into what I feel about criticism, having been a film and TV reviewer, I’m thinking that a reviewer who isn’t paying attention might as well be watching a different film.<\/p>\n
I’m also thinking that I might watch this again and that writer\/director Christopher McQuarrie did a good job.<\/p>\n
Just my opinion.<\/p>\n","protected":false},"excerpt":{"rendered":"
This speaks to the heart of all criticism, all reviews, all opinions, but I’m really only saying it because I … Continue reading