This is new. As I write this to you, there’s a writing workshop going on and I’m producing it. Just over there. In that room. Now, obviously I would come out of it to talk to you – nobody else, mind, let’s be quite clear there – but I’m not in the room at all. The session is being run by <a href=”https://twitter.com/smalextownley”>Alex Townley</a> and I’m hearing laughter, I’m hearing the buzz of chatter, I’m hearing that it is going very well.
I should be feeling rubbish out here but instead I am deeply, deeply delighted. It’s like when you write a scene you think is good, you hope it’s good and then you see it working even better. A couple of years ago now I sat in the audience at the Birmingham Rep watching a discussion event on stage and actually marvelling that I’d made that happen. You can’t count the number of other people involved but I couldn’t dismiss the fact that I made it happen. Nobody in that audience had any idea I had anything to do with it and at the end, everyone on stage got applauded and I was right there applauding with them.
There is something just tremendous about creating things, I think, and when you have someone good doing part then it is tremendous that you saw what they could do and you got them. This week of the writing workshop series is about creating characters and bringing them to life on the page: no question, Alex is the one to tell them about that. Equally no question, or at least not very many questions or at least I’m not listening to you if you’re questioning, is the fact that I’m the guy to do next week’s one on dialogue.
You should probably not get me started on dialogue. It’s my thing. You’ve got your thing, I’ve got dialogue. It keeps me warm.
And the instant I say that to you, my mind splits in two directions. I want to tell you of a line of dialogue that cropped up in a TV drama recently where someone said: “I’m done with listening, do you hear me?” I don’t fully understand why I laughed at that.
But my mind also wants to address the realisation that I’m just after saying that to you about dialogue and what am I doing tonight? I said a few words at the start and I will at the end, otherwise I’m sitting here typing.
It’s not typing, though, is it? It’s writing to you. It’s a weekday evening as I write this, I’m sitting in the offices of <a href=”http://www.writingwestmidlands.org”>Writing West Midlands</a>, there’s a colleague working across the room, and next to both of us is this room where a group of writers are having a good time concocting characters. I think this is pretty good.